A work in constant progress (and occasional regress).
Release Date:
October 21, 2022
Original Title:
Thomas mot Thomas (en sensasjonell teori om det ubetydelige livet i multiverset)
Alternate Titles:
Thomas mot Thomas (en sensasjonell teori om det ubetydelige livet i multiverset)
Thomas vs. Thomas (A Sensational Theory Regarding an Insignificant Life in the Multiverse)
Genres:
Comedy | Drama
Production Companies:
Maipo Film
Production Countries:
Norway
Ratings / Certifications:
NO: 12
Runtime: 98
A quantum physicist is about to have the breakthrough of the century, but as he closes in on his goal, versions of him from parallel realities force him to untangle the mystery of his own existence; how to be a present father for his son.
Art Department Assistant:
Mone Frogg Christiansen
Art Direction:
Lars-Martin Vågseter
Assistant Director:
Anna Fredrikke Bjerke
Colorist:
Fredrik Harreschou
Costume Design:
Hanne Randin
Dialogue Editor:
Matias Frøystad
Director:
Jakob Rørvik
Director of Photography:
Andreas Bjørseth
Editor:
Thomas Grotmol
Executive Producer:
Synnøve Hørsdal
First Assistant Camera:
Kjetil Mathisen
First Assistant Director:
Anders Reime
Foley Artist:
Erik S. Watland
Gaffer:
Hans Petter Sydsæter
Lighting Technician:
Karl Andre Bru
Makeup Designer:
julie sand johnsen
Original Music Composer:
Jeremy Villecourt
Florent Chronie-De Maria
Producer:
Petter Onstad Løkke
Therese Naustdal
Production Accountant:
Tove A. Mar
Production Assistant:
Nicolai Turnage
Aurora Overland
Adam Lunnan Aass
Production Coordinator:
Anna Fredrikke Bjerke
Production Design:
Sunniva Rostad
Production Manager:
Philip Hallre Sivertsen
Second Assistant Camera:
Rasmus Skaaret
Second Assistant Director:
Tonja Adele Carstanjen Færavaag
Set Propsman:
Karen Sollihaug
Sound Designer:
Håkon Lammetun
Sound Recordist:
Helge Bodøgaard
Writer:
Jakob Rørvik
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.