A work in constant progress (and occasional regress).
Release Date:
October 22, 2022
Original Title:
The Wilds
Genres:
Comedy | Horror
Production Companies:
BFI Network
Film Hub North
Sea & Sky Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 15
Anna receives an urgent phone call from her desperate-sounding and somewhat estranged mother, Helen. Anna's troubled brother has returned to the family home; Helen needs Anna's help and it must be right now – definitely before tonight. The Wilds tells the story of the day Anna Wild finally reconnects with her family; all thanks to a lycanthropy-based emergency.
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3D Artist:
Mark Kenny
Art Direction:
Michael Coyle
BTS Videographer:
Connor Lovett
George Dickson
Camera Operator:
Adam Opie
Camera Trainee:
Hasmitha Srikantha
Casting Director:
Daniel John Williams
Colorist:
Mark Lediard
Costume Design:
Sherilyn Anjelika Oliphant
Director:
Greig Johnson
Director of Photography:
Mike Staniforth
Editor:
Greig Johnson
Electrician:
Ryan Turner
Roberto Colapietro
James Fortune
Micaela Archer
Executive Producer:
Rory McKenna
First Assistant Camera:
Luis Zarzo
First Assistant Director:
Alex Challies
Gaffer:
Lewis Hanlon
Grip:
Jay Finlayson
Makeup Artist:
Nika Harper
Makeup Effects:
Patrycja Nowacka
Mark Danbury
Music Coordinator:
Andy Hardwick
Producer:
Adam Bouabda
Production Manager:
Louise Brannon
Runner Art Department:
Andrea Rodway
Lee Charnley
Keiren Hills
Script Supervisor:
Jacob Anderton
Second Assistant Camera:
Svea Hartle
Second Assistant Director:
Chloe Grocott
Sound Mixer:
Phil Quinton
Sound Recordist:
Jack Abernethy
Stunts:
Kenan Ali
VFX Artist:
Stuart Whitlock
Wardrobe Supervisor:
Emilee Fallo
Writer:
Greig Johnson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.