A work in constant progress (and occasional regress).
Release Date:
April 29, 1988
Original Title:
Critters 2
Alternate Titles:
Criaturas II
Critters 2
Critters 2: Hlavní chod
Critters 2: The Main Course
Critters No 2
Nestvůrky z vesmíru
Genres:
Comedy | Horror | Science Fiction
Production Companies:
New Line Cinema
Sho Films
Production Countries:
United States of America
Ratings / Certifications:
AU: M BR: 14 CZ: U DE: 16 ES: 16 FR: U GB: 15 HU: 16 MX: B-15 PT: M/16 SE: 15 US: PG-13
Runtime: 86
Three bounty hunters from space fly back to the town of Grovers Bend, hoping to save local residents from a new batch of Critter eggs.
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ADR Mixer:
Gary Gegan
ADR Recordist:
Jon Hussien
Additional Editor:
Rose Anne Weinstein
Additional First Assistant Camera:
David Peters
Barbu Marian
Animation:
Jammie Friday
Art Department Coordinator:
Janet Alicea
Assistant Editor:
Alex Olivares
Lauren Zuckerman
Assistant Makeup Artist:
Jill Bennett
Assistant Production Coordinator:
Jolene Hastings
Bruce Nachbar
Associate Editor:
Michael Ruscio
Associate Producer:
Daryl Kass
Best Boy Electric:
Jesse Mather
Best Boy Grip:
Craig Fleming
Boom Operator:
Steve Sollars
Camera Loader:
Todd Dos Reis
Casting:
Robin Lippin
Casting Assistant:
Debra Neckanoff
Color Timer:
Reid Burns
Construction Coordinator:
Mick Strawn
Richard C. Welch
Costume Designer:
Lesley Neufeld
Costume Supervisor:
Andrea Phillips
Creature Design:
Charles Chiodo
Stephen Chiodo
Edward Chiodo
Director:
Mick Garris
Director of Photography:
Russell Carpenter
Dolly Grip:
Dave Kemp
Editor:
Charles Bornstein
Electrician:
Ric Delgado
Bob Calnan
Tigr Mennett
Huston Beaumont
Joe Clem
Casey Pierson
Stephen Sharp
Executive Producer:
Robert Shaye
First Assistant Camera:
Mark R. Jackson
Nathaniel Goodman
First Assistant Director:
Jerry Ketcham
Foley Editor:
Tova Szabo
Foley Mixer:
Gary Gegan
Gaffer:
Michael Bolner
Rick Heebner
Grip:
Scott Sproule
Kevin Swigert
Jamie Young
Gregg Smrz
Tony Jefferson
Michael Moore
Tim Magaraci
Key Grip:
Dermot Stoker
David Donoho
Key Hair Stylist:
Michael Williams
Key Makeup Artist:
Sheri Short
Location Manager:
Jill Salomon
Music Consultant:
Kevin Benson
Original Music Composer:
Nicholas Pike
Post Production Supervisor:
Cara Tapper
Joe Fineman
Producer:
Barry Opper
Production Coordinator:
Jeffrey J. Kiehlbauch
Production Design:
Philip Dean Foreman
Property Master:
Timaree McCormick
Script Supervisor:
Theresa Eubanks
Sarah Rosenberg
Second Assistant Camera:
Art Martin
Michael Cardone
Second Assistant Director:
David D'Ovidio
Second Second Assistant Director:
Brenda Kalosh
Second Unit Director:
Allan Holzman
Second Unit Director of Photography:
Greg Gardiner
Second Unit First Assistant Director:
David Womark
Set Decoration:
Donna Stamps Scherer
Set Dresser:
Gina Scappaticci
Rand Vossler
Sound Editor:
Michael John Bateman
Robert Heffernan
Alan Potter
Jack Woods
Dan Yale
Sound Mixer:
Don Summer
Sound Re-Recording Mixer:
Wayne Heitman
Matthew Iadarola
Sound Recordist:
Mark 'Frito' Long
Special Effects Assistant:
Dale Ettema
Special Effects Makeup Artist:
Evan Brainard
Tom Lauten
Sarah Ray
John Lundberg
Derek Devoe
Mike Measimer
Camille Calvet
Erin Brasfield
Dennis Curcio
Special Effects Supervisor:
Martin Bresin
Eric Rylander
Steadicam Operator:
Randy Nolen
Still Photographer:
Kelvin Jones
Storyboard Artist:
Chris Pechin
Stunt Coordinator:
Dan Bradley
Stunts:
Scott Alan Cook
Rick Barker
Hal Burton
Laurie Creach
Christopher Doyle
John Escobar
Debbie Evans
Donna Evans
Dean Raphael Ferrandini
Al Jones
Lane Leavitt
Frank Lloyd
Ray Lykins
Cris Thomas-Palomino
Janet Lee Orcutt
Noon Orsatti
Jan Michael Shultz
John Sherrod
Joseph Smick
Sammy Thurman
Supervising Sound Editor:
Michael P. Redbourn
Title Designer:
Geoffrey K. Hull
Unit Production Manager:
Daryl Kass
Visual Effects:
Peter Kuran
Wardrobe Assistant:
Bess Walkes
Writer:
David Twohy
Mick Garris
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.