A work in constant progress (and occasional regress).
Release Date:
February 9, 1986
Original Title:
Nine 1/2 Weeks
Alternate Titles:
9 1 2 недель
9 1/2 Semanas de Amor
9 1/2 Weeks
9 1/2 savaitės
9 1/2 uge
9 1/2 vecka
9 1/2 недель
9 1/2 тижнів
9 a 1/2 týdne
9 semaines 1/2
9 semaines et demie
9 semanas y media
9 settimane e mezzo
9 su puse savaitės
9 ½ Weeks
9 ½ недель
9 ½ недель [Nine ½ Weeks (1985)]
9 ½ тижнів
9 és fél hét
9,5 Weeks
9-1/2 Weeks
9½ Weeks
9½ εβδομάδες
Devet i pol tjedana
Devět a půl týdne
Dokuz Buçuk Hafta
Neuf semaines et demi
Neuneinhalb Wochen
Nine and a Half Weeks
Nine ½ Weeks
Nove settimane e mezzo
Девет седмици и половина
Девять с половиной недель
Genres:
Drama | Romance
Production Companies:
Galactic Films
Jonesfilm
Metro-Goldwyn-Mayer
PSO
Triple Ajaxxx
Production Countries:
United States of America
Ratings / Certifications:
AU: R18+ DE: 16 ES: 18 FR: 12 HU: 16 IE: 18 IT: VM14 JP: R18+ KR: 18 NL: 12 NO: 15 PT: M/18 US: R
Runtime: 117
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Editing:
Kim Secrist
Additional Soundtrack:
Michael Hoenig
Art Direction:
Linda Conaway-Parsloe
Assistant Costume Designer:
Aude Bronson-Howard
Assistant Property Master:
Mark Peltzer
Karen Kates
Assistant Sound Editor:
Glenn T. Morgan
Associate Producer:
Steven Reuther
Boom Operator:
Richard Murphy
Camera Operator:
Craig Haagensen
Casting:
Lynn Stalmaster
Nan Dutton
Chief Lighting Technician:
Jonathan Lumley
Costume Design:
Bobbie Read
Director:
Adrian Lyne
Director of Photography:
Peter Biziou
Dolly Grip:
Richard C. Kerekes
Editor:
Caroline Biggerstaff
Ed Hansen
Tom Rolf
Mark Winitsky
Executive In Charge Of Production:
Robert E. Relyea
Executive Producer:
Keith Barish
Frank Konigsberg
First Assistant Director:
Benjamin Rosenberg
First Assistant Editor:
Vicki Hiatt
Hairstylist:
Marie-Ange Ripka
Key Grip:
Mitch Lillain
Location Manager:
Randall Badger
Clayton Townsend
Makeup Artist:
David Forrest
Music Coordinator:
Gaylon J. Horton
Elliot Lurie
Music Editor:
Tom Carlin
Music Supervisor:
Becky Mancuso-Winding
Negative Cutter:
Donah Bassett
Novel:
Elizabeth McNeill
Original Music Composer:
Jack Nitzsche
Other:
Sydney Pollack
Producer:
Mark Damon
Sidney Kimmel
Zalman King
Antony Rufus-Isaacs
Production Design:
Ken Davis
Production Manager:
Roger Paradiso
Production Office Coordinator:
Ooty Moorehead
Property Master:
Ron Stone
Screenplay:
Sarah Kernochan
Zalman King
Patricia Louisianna Knop
Script Supervisor:
Adrienne Hamalian-Mangine
Second Assistant Director:
Kyle McCarthy
Set Decoration:
Christian Kelly
Set Dresser:
Chris Gardyasz
John M. Dwyer
Sound Editor:
Michael Hoskinson
James Matheny
James Christopher
Mark P. Stoeckinger
Burton Weinstein
Craig S. Jaeger
Sound Mixer:
Bill Daly
Sound Re-Recording Mixer:
William L. McCaughey
Ray O'Reilly
Jay M. Harding
Aaron Rochin
Still Photographer:
John Seakwood
Barry Wetcher
Stunt Coordinator:
Frank Ferrara
Stunts:
Peter Bucossi
Webster Whinery
Supervising Sound Editor:
Emile Razpopov
Dessie Markovsky
Title Designer:
Dan Perri
Unit Publicist:
Shelley Kirkwood
Wardrobe Supervisor:
Barbara Hause
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.