A work in constant progress (and occasional regress).
Release Date:
September 25, 1964
Original Title:
Démanty noci
Alternate Titles:
Az éjszaka gyémántjai
Diamantele nopţii
Diamanten der Nacht
Diamantes de la noche
Diamantes en la noche
Diamanty noci
Diamenty nocy
Diamonds of the Night
I diamanti della notte
Les Diamants de la nuit
Nattens diamanter
Noites de Diamantes
Yön timantit
Öö teemandid
Διαμάντια της Νύχτας
Алмазы ночи
الماسهای شب
夜のダイヤモンド
夜之鑽
夜之钻
밤의 다이아몬드
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
CZ: U
Runtime: 67
Two Jewish boys escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a group of old, armed home-guardists.
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Assistant Camera:
Petr Čech
Ivan Vojnár
Assistant Editor:
Jitka Šulcová
Assistant Production Design:
Bohumil Nový
Assistant Production Manager:
Lubomír Novotný
Ladislav Dražan
Vladimíra Kopecká
Camera Operator:
Miroslav Ondříček
Clapper Loader:
Jiřina Znamenáčková
Costume Design:
Ester Krumbachová
Costumer:
Zdena Šnajdarová
Jaroslava Komárková
Creative Producer:
Jan Procházka
Director:
Jan Němec
Director of Photography:
Jaroslav Kučera
Editor:
Miroslav Hájek
Executive Producer:
Erich Švabík
First Assistant Director:
Hynek Bočan
Gaffer:
Bohumil Ženíšek
Makeup & Hair:
František Příhoda
Vladimír Petřina
Production Design:
Oldřich Bosák
Production Manager:
Miloš Bergl
Props:
Miloslav Dvořák
Screenplay:
Arnošt Lustig
Jan Němec
Script:
Jiřina Matiasková
Set Decoration:
Libor Speychal
Jan David
Short Story:
Arnošt Lustig
Sound:
František Černý
Sound Assistant:
Lubomír Zajíc
Sound Effects:
Bohumír Brunclík
Still Photographer:
Jiří Stach
Unit Production Manager:
Josef Mára
Zdeňka Černá
Writer:
Jan Němec
Arnošt Lustig
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.