A work in constant progress (and occasional regress).
Release Date:
November 15, 2023
Original Title:
Comme par magie
Alternate Titles:
The Instant Family
Найкращий нянь
Genres:
Comedy | Drama
Production Companies:
Apollo Films
M.E.S. Productions
M6 Films
Orange Studio
Production Countries:
France
Ratings / Certifications:
FR: TP
Runtime: 93
Victor, a young magician on the rise, raises his daughter Lison alone. But Jacques, his whimsical stepfather, interferes in the girl's education against his wishes. An unlikely pairing that will have as its referee Nina, Victor's childhood friend, with a strong character.
Assistant Costume Designer:
Zoé Caillet
Boom Operator:
Vincent Breau
César Boucheton
Construction Coordinator:
Emmanuel Teisseire
Frank Scala
Costume Design:
Marielle Robaut
Data Wrangler:
Mano Lyphout
Director:
Christophe Barratier
Editor:
Céline Cloarec
Claire Fieschi
First Assistant Art Direction:
Marianne Arsa
First Assistant Camera:
Louise Bruyère
First Assistant Director:
Rodolphe Kriegel
Graphic Designer:
Patricia Ruelle
Grip:
Kevin Strauch
Nicolas Ballay
Key Costumer:
Priscillia van Sprengel
Key Grip:
Jan Gagnaire
Key Hair Stylist:
Laurent Blanchart
Location Assistant:
Benjamin Assayag
Location Scout:
Yann Le Borgne
Lionel Guerrini
Painter:
Benoit Oliviero
Producer:
Marc-Etienne Schwartz
Production Accountant:
Noëlla Rivière
Production Design:
Samuel Teisseire
Production Secretary:
Aude Desroches
Property Master:
Tristan Girault
Screenplay:
Cyril Gelblat
Serge Lamadie
Christophe Barratier
Fabrice Bracq
Script Supervisor:
Laure-Anne Nicolet
Second Assistant Director:
Louisiane Brosseau
Set Designer:
Héloïse Lecointre de Winter
Sound Mixer:
Thomas Gastinel
Wardrobe Assistant:
Alexandra Strawinski
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.