A work in constant progress (and occasional regress).
Release Date:
August 15, 2003
Original Title:
خاموش پانی
Alternate Titles:
El silencio del agua
Ewig fremd
Khamosh Pani
Khamosh Pani - Eau dormante
Khamosh Pani - Le puits
Schweigende Wasser - Khamosh Pani
Genres:
Drama | Music
Production Companies:
ARTE
Unlimited
Vidhi Films
Production Countries:
France | Germany | Pakistan
Ratings / Certifications:
N/A
Runtime: 99
Ayesha is a widow with a secret past, living with her beloved son Saleem in a small town in Pakistan close to the Indian border. When the fires of Islamic nationalism invade their tranquil lives, Saleem and a few of the town's other young men are soon gripped by a religious fervour, and they attempt to bring radical Islamic law to their friends and neighbours. After a group of Sikh pilgrims arrive in town, tensions reach boiling point as Ayesha's haunted past comes rushing back.
Art Direction:
Frank Herzog
Assistant Art Director:
Shuja Ullah Yasir
Assistant Editor:
Anna Kappelmann
Associate Producer:
Roshanak Behesht Nedjad
Konstantin Kröning
Marie-Michele Cattelain
Casting:
Sabiha Sumar
Continuity:
Farah Shereen
Costume Designer:
Heike Fademrecht
Director:
Sabiha Sumar
Director of Photography:
Ralph Netzer
Editor:
Bettina Böhler
First Assistant Director:
Julia Rose
Iqbal Kidwai
Foley Artist:
Carsten Richter
Gaffer:
Axel Berger
Line Producer:
Peter Hermann
Location Manager:
Ellen Teschendorf
Makeup Supervisor:
Lesley Lamont-Fisher
Original Music Composer:
Madan Gopal Singh
Arshad Mahmood
Producer:
Sachithanandam Sathananthan
Philippe Avril
Helge Albers
Claudia Tronnier
Production Design:
Olivier Meidinger
Sound Editor:
Noemi Hampel
Sound Engineer:
Uve Haussig
Writer:
Sabiha Sumar
Paromita Vohra
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.