A work in constant progress (and occasional regress).
Premiere:
February 7, 2020
# of Seasons: 1
# of Episodes: 4
Finale:
February 28, 2020
Original Title:
Superšéf: 24 hodin do pekla a zpět
Genres:
Reality
Production Companies:
FTV Prima
Countries:
CZ
Zdeněk Pohlreich is back in big style! In 24 hours Zdeněk gives a helping hand to restaurants that are in trouble. Will Zdeněk literary drag the restaurant from hell? TV show Superšéf comeback of Zdeňek Pohlreich in big style. During 24 hours he and his team take the restaurant into own hands to fix everything - from the kitchen to redesign of the interior. Each restaurant has its owner and staff and lives its story which Zdeněk tries to uncover, and found out the root of the problem. An important task of a demanding mission is to find out all information about the company in absolute secrecy and subsequently to get to tell found facts to the main actor. The chefs are trained in the mobile kitchen of the Superchief program and the new concept of the whole restaurant is kicked off. Whether or not the business survives after this intervention is a matter of motivation, enthusiasm and work of every individual in the restaurant. The whole team is just as strong as its weakest link.
Assistant Director:
Angelina Ludvíková
Costume Design:
Adéla Anděla Bursová
Creative Producer:
Ivan Vodochodský
Director:
Pavel Nosek
Director of Photography:
Jožo Halász
Dramaturgy:
Martin Justa
Jana Vondroušová
Editor:
Josef Rotbauer
Executive Producer:
Michaela Soukupová
First Assistant Director:
Jana Šimáková
Makeup & Hair:
Adéla Anděla Bursová
Screenplay:
Pavel Nosek
Ivan Vodochodský
Second Unit Director:
Jiří Mádle
Set Designer:
Pavel Borůvka
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.