A work in constant progress (and occasional regress).
Premiere:
February 17, 2022
# of Seasons: 2
# of Episodes: 19
Finale:
April 7, 2022
Creators:
Dan Erickson
Original Title:
Severance
Alternate Titles:
Поділ
Розділення
ניתוק
جداسازی
جدایی
人生切割术
生活割離術
세브란스: 단절
Genres:
Drama | Mystery | Sci-Fi & Fantasy
Production Companies:
Endeavor Content
Fifth Season
Red Hour
Countries:
US
Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
24 Frame Playback:
Erik Galuppo
ADR Editor:
David Briggs
ADR Voice Casting:
Bruce Winant
Dann Fink
Ager/Dyer:
Dylan Rossman
Art Department Coordinator:
Arizona Newsum
Art Department Production Assistant:
Chris Lewis
Kristina Perez
Art Direction:
Angelica Borrero-Fortier
Assistant Art Director:
Shoko Kambara
Stephen Davan
Hinju Kim
Emma Mendelson
Peter Dorsey
Patrice Andrew Davidson
Assistant Costume Designer:
Abby Walton
Dan Urlie
Assistant Location Manager:
Michael Hellmann
Grace Kwon
James Kenny
John Papp
Assistant Production Coordinator:
Roberto Capriotti
Assistant Property Master:
Travis Anderberg
Assistant Set Decoration:
Elizabeth Eggert
Sheila Bock
Sharon White
Best Boy Electric:
Brendan Walsh
Best Boy Grip:
William Gonzalez
Boom Operator:
Kira Smith
Casting:
Rachel Tenner
Casting Assistant:
Aaron Schoonover
Riley O'Day
Casting Associate:
Rick Messina
Charge Scenic Artist:
Leslie Salter
Co-Executive Producer:
Kari Drake
Jill Footlick
Co-Producer:
Katie Pruitt
Paul Leonardo Jr.
Colorist:
Andrew Geary
Conceptual Illustrator:
Hugh Sicotte
Jamie Rama
Kory Victor
David Swayze
Construction Coordinator:
Tommy Yacuk
Costume Coordinator:
Kirsten MacLeod
Costume Design:
Sarah Edwards
Dailies Operator:
Mia Pakulski
Dialogue Editor:
Gregg Swiatlowski
Digital Imaging Technician:
Luke Taylor
Dolly Grip:
Patrick Donahue
Chris Stendardi
Executive Producer:
Chris Black
John Cameron
Andrew Colville
Dan Erickson
Nicholas Weinstock
Ben Stiller
Jackie Cohn
Mark Friedman
Executive Producer's Assistant:
Hannah Baker
Natalie Wood
Danielle Conquy
Katia Koziara
Morgan Cline
Torrance Shepherd
Extras Casting:
Adam DeLisi
Debbie DeLisi
Finishing Producer:
Dean Mozian
First Assistant Accountant:
Jonathan Azoulai
Neal Andrus
Foley Artist:
Marko Costanzo
Foley Editor:
Eric Strausser
Foley Mixer:
George A. Lara
Gaffer:
Kurt Lennig
Graphic Designer:
Tansy Michaud
Sarah Rae Davidson
Hair Department Head:
Anita Lausevic
Hairstylist:
Joshua First
Head of Production:
Margaret Lewis
Key Carpenter:
Martin Kirchoff
Key Grip:
Johnny Erbes-Chan
Key Hair Stylist:
Sasha Cummins
Key Makeup Artist:
Don Kozma
Key Rigging Grip:
Eric Gearity
Leadman:
Ace Huggins
Libra Head Technician:
Daniel Sheats
Sebastián Almeida
Lighting Programmer:
Kevin Casaletta
Loader:
Brian Pucci
Kansas Ballesteros
Local Casting:
Bess Fifer
Location Assistant:
Chris Modrzynski
Benjamin Chacko
Nelson Bobadilla
Steph Twyford-Rigley
Jonny Papageorge
Ian Burley
Location Coordinator:
A.J. Swirz
Location Manager:
Ryan Smith
Location Production Assistant:
Seamus Davey-Fitzpatrick
Hannah Sobieski
Location Scout:
Ernest Karpeles
Karen T. Salva
Matthew H. Wiesner
Makeup Artist:
Anna Stachow
Makeup Department Head:
Bernadette Mazur
Music Editor:
Sam Zeines
Missy Cohen
Music Supervisor:
George Drakoulias
On Set Dresser:
Alec Hansen
Becca Banks
On Set Props:
Colleen Dolan
Online Editor:
Nicholas Figueroa
Opening Title Sequence:
Oliver Latta
Original Music Composer:
Theodore Shapiro
Other:
Tom Poole
Nicole Tessier
Heather Breen
Daniel Aviles
Bryan Walsh
Jeff Mann
Eldar Iskandarov
Mike Sime
Kadie Dolan
Joy Weber
Jason Turner
Anthony Taratunio
Nick Francone
Tricia Barsamian
Post Production Assistant:
Eli Lederberg
Post Production Supervisor:
Tiffany Upshaw
Producer:
Adam Scott
Gerry Robert Byrne
Patricia Arquette
Aoife McArdle
Amanda Overton
Producer's Assistant:
Sam Klemmer
Production Accountant:
Melissa Kimbler
Production Assistant:
Danielle Wilcox
Production Coordinator:
Devon Fiegel
Production Design:
Jeremy Hindle
Production Secretary:
Frank Aviles
Production Supervisor:
Rocco Dimase
Property Buyer:
Deneice O'Connor
Property Master:
Catherine Miller
Rigging Gaffer:
James McFadyen
Script Coordinator:
Parker Hull
Script Supervisor:
Deirdre Horgan
Second Assistant Accountant:
Adam Smokler
Nevine Smith
Set Costumer:
Carol Deelay
Lucy Cobbs
Debra Peck
Set Decorating Coordinator:
Leopoldo Ramirez
Set Decoration:
Andrew Baseman
Set Decoration Buyer:
Rachel Barker
Roxanne Kratt
Set Medic:
Danny Frommer
Set Production Assistant:
George Cuomo
Marissa Grinstead
Cameron Steinfeld
Skylar Loraquette
Nikki Mansfield
Israel Vileda
Sound Effects Editor:
Jacob Ribicoff
Sound Re-Recording Mixer:
Bob Chefalas
Special Effects Coordinator:
Doug Coleman
Still Photographer:
Atsushi Nishijima
Wilson Webb
Stunt Coordinator:
Dean Neistat
Supervising Sound Editor:
Jacob Ribicoff
Tailor:
Alice Bee
Thanks:
Joel Baral
Title Designer:
Teddy Blanks
Transportation Captain:
Timothy Paustian
Transportation Co-Captain:
Joe Brennan
Truck Costumer:
Jessica Calderón
Unit Production Manager:
Kristyn Macready
Utility Sound:
Luke Q. Iaciofano
VFX Editor:
Matthew Huber
Video Assist Operator:
Nils Johnson
Visual Effects Producer:
Ashley Bernes
Visual Effects Supervisor:
Ashley Bernes
Wardrobe Supervisor:
Marie Seifts
Writers' Assistant:
Helen Leigh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.