A work in constant progress (and occasional regress).
Premiere:
February 17, 2022
# of Seasons: 2
# of Episodes: 19
Finale:
April 7, 2022
Creators:
Dan Erickson
Original Title:
Severance
Alternate Titles:
Поділ
Розділення
ניתוק
جداسازی
جدایی
人生切割术
生活割離術
세브란스: 단절
Genres:
Drama | Mystery | Sci-Fi & Fantasy
Production Companies:
Endeavor Content
Fifth Season
Red Hour
Countries:
US
Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
24 Frame Playback:
Erik Galuppo
ADR Editor:
David Briggs
ADR Voice Casting:
Dann Fink
Bruce Winant
Ager/Dyer:
Dylan Rossman
Art Department Coordinator:
Arizona Newsum
Art Department Production Assistant:
Chris Lewis
Kristina Perez
Art Direction:
Angelica Borrero-Fortier
Assistant Art Director:
Emma Mendelson
Hinju Kim
Peter Dorsey
Shoko Kambara
Stephen Davan
Patrice Andrew Davidson
Assistant Costume Designer:
Dan Urlie
Abby Walton
Assistant Location Manager:
Grace Kwon
James Kenny
John Papp
Michael Hellmann
Assistant Production Coordinator:
Roberto Capriotti
Assistant Property Master:
Travis Anderberg
Assistant Set Decoration:
Sheila Bock
Elizabeth Eggert
Sharon White
Best Boy Electric:
Brendan Walsh
Best Boy Grip:
William Gonzalez
Boom Operator:
Kira Smith
Casting:
Rachel Tenner
Casting Assistant:
Riley O'Day
Aaron Schoonover
Casting Associate:
Rick Messina
Charge Scenic Artist:
Leslie Salter
Co-Executive Producer:
Jill Footlick
Kari Drake
Co-Producer:
Paul Leonardo Jr.
Katie Pruitt
Colorist:
Andrew Geary
Conceptual Illustrator:
David Swayze
Hugh Sicotte
Kory Victor
Jamie Rama
Construction Coordinator:
Tommy Yacuk
Costume Coordinator:
Kirsten MacLeod
Costume Design:
Sarah Edwards
Dailies Operator:
Mia Pakulski
Dialogue Editor:
Gregg Swiatlowski
Digital Imaging Technician:
Luke Taylor
Dolly Grip:
Chris Stendardi
Patrick Donahue
Executive Producer:
Chris Black
Andrew Colville
John Cameron
Mark Friedman
Dan Erickson
Jackie Cohn
Nicholas Weinstock
Ben Stiller
Executive Producer's Assistant:
Danielle Conquy
Hannah Baker
Morgan Cline
Katia Koziara
Natalie Wood
Torrance Shepherd
Extras Casting:
Debbie DeLisi
Adam DeLisi
Finishing Producer:
Dean Mozian
First Assistant Accountant:
Neal Andrus
Jonathan Azoulai
Foley Artist:
Marko Costanzo
Foley Editor:
Eric Strausser
Foley Mixer:
George A. Lara
Gaffer:
Kurt Lennig
Graphic Designer:
Tansy Michaud
Sarah Rae Davidson
Hair Department Head:
Anita Lausevic
Hairstylist:
Joshua First
Head of Production:
Margaret Lewis
Key Carpenter:
Martin Kirchoff
Key Grip:
Johnny Erbes-Chan
Key Hair Stylist:
Sasha Cummins
Key Makeup Artist:
Don Kozma
Key Rigging Grip:
Eric Gearity
Leadman:
Ace Huggins
Libra Head Technician:
Sebastián Almeida
Daniel Sheats
Lighting Programmer:
Kevin Casaletta
Loader:
Kansas Ballesteros
Brian Pucci
Local Casting:
Bess Fifer
Location Assistant:
Steph Twyford-Rigley
Nelson Bobadilla
Benjamin Chacko
Jonny Papageorge
Ian Burley
Chris Modrzynski
Location Coordinator:
A.J. Swirz
Location Manager:
Ryan Smith
Location Production Assistant:
Seamus Davey-Fitzpatrick
Hannah Sobieski
Location Scout:
Matthew H. Wiesner
Ernest Karpeles
Karen T. Salva
Makeup Artist:
Anna Stachow
Makeup Department Head:
Bernadette Mazur
Music Editor:
Missy Cohen
Sam Zeines
Music Supervisor:
George Drakoulias
On Set Dresser:
Becca Banks
Alec Hansen
On Set Props:
Colleen Dolan
Online Editor:
Nicholas Figueroa
Opening Title Sequence:
Oliver Latta
Original Music Composer:
Theodore Shapiro
Other:
Jason Turner
Nicole Tessier
Tom Poole
Kadie Dolan
Bryan Walsh
Daniel Aviles
Mike Sime
Jeff Mann
Nick Francone
Tricia Barsamian
Eldar Iskandarov
Heather Breen
Anthony Taratunio
Joy Weber
Post Production Assistant:
Eli Lederberg
Post Production Supervisor:
Tiffany Upshaw
Producer:
Amanda Overton
Aoife McArdle
Gerry Robert Byrne
Patricia Arquette
Adam Scott
Producer's Assistant:
Sam Klemmer
Production Accountant:
Melissa Kimbler
Production Assistant:
Danielle Wilcox
Production Coordinator:
Devon Fiegel
Production Design:
Jeremy Hindle
Production Secretary:
Frank Aviles
Production Supervisor:
Rocco Dimase
Property Buyer:
Deneice O'Connor
Property Master:
Catherine Miller
Rigging Gaffer:
James McFadyen
Script Coordinator:
Parker Hull
Script Supervisor:
Deirdre Horgan
Second Assistant Accountant:
Adam Smokler
Nevine Smith
Set Costumer:
Lucy Cobbs
Debra Peck
Carol Deelay
Set Decorating Coordinator:
Leopoldo Ramirez
Set Decoration:
Andrew Baseman
Set Decoration Buyer:
Roxanne Kratt
Rachel Barker
Set Medic:
Danny Frommer
Set Production Assistant:
George Cuomo
Skylar Loraquette
Marissa Grinstead
Nikki Mansfield
Israel Vileda
Cameron Steinfeld
Sound Effects Editor:
Jacob Ribicoff
Sound Re-Recording Mixer:
Bob Chefalas
Special Effects Coordinator:
Doug Coleman
Still Photographer:
Wilson Webb
Atsushi Nishijima
Stunt Coordinator:
Dean Neistat
Supervising Sound Editor:
Jacob Ribicoff
Tailor:
Alice Bee
Thanks:
Joel Baral
Title Designer:
Teddy Blanks
Transportation Captain:
Timothy Paustian
Transportation Co-Captain:
Joe Brennan
Truck Costumer:
Jessica Calderón
Unit Production Manager:
Kristyn Macready
Utility Sound:
Luke Q. Iaciofano
VFX Editor:
Matthew Huber
Video Assist Operator:
Nils Johnson
Visual Effects Producer:
Ashley Bernes
Visual Effects Supervisor:
Ashley Bernes
Wardrobe Supervisor:
Marie Seifts
Writers' Assistant:
Helen Leigh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.