A work in constant progress (and occasional regress).
Premiere:
October 5, 2018
# of Seasons: 1
# of Episodes: 13
Finale:
December 21, 2018
Original Title:
色づく世界の明日から
Alternate Titles:
From the Color-Changing World's Tomorrow
IRODUKU : The World in Colors
IRODUKU: El mundo en colores
Irozuku Sekai no Ashita kara
So Many Colors in the Future, What a Wonderful World
So many colors in the future what a wonderful world
물이 드는 세계의 내일로부터
Genres:
Animation | Drama | Sci-Fi & Fantasy
Production Companies:
P.A.WORKS
Countries:
JP
Set in the city of Nagasaki, the story takes place in a world where a miniscule amount of magic remains in everyday life. Hitomi Tsukishiro is a 17-year-old descendant of a witch family who grew up with stale emotions, as she lost her sense of color at a very young age. Feeling sorry for her granddaughter's future, Kohaku, a great witch, sends Hitomi to past, the year 2018. Through exchanges with her 17-year-old grandmother and her club members, the story follows Hitomi's growth as a person.
2D Artist:
Chie Kato
Associate Producer:
Kenta Maeda
Character Designer:
Yuki Akiyama
Color Designer:
Naomi Nakano
Director of Photography:
Yoshimitsu Tomita
Editor:
Ayumu Takahashi
Music Producer:
Jun Nishimura
Original Music Composer:
Yoshiaki Dewa
Producer:
Mitsutoshi Ogura
Hiroyuki Aoi
Toshihiro Maeda
Hitoshi Kawamura
Yutaka Kashiwagi
Shota Tanaka
Series Composition:
Yuko Kakihara
Series Director:
Toshiya Shinohara
Special Effects:
Masahiro Murakami
Sumie Murakami
Supervising Animation Director:
Yuki Akiyama
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.