A work in constant progress (and occasional regress).
Premiere:
September 12, 2016
# of Seasons: 2
# of Episodes: 13
Finale:
March 8, 2021
Original Title:
Sacred Sites
Alternate Titles:
Posvätné miesta sveta
Genres:
Documentary
Production Companies:
Tile Films
Countries:
US
This docuseries uses scientific breakthroughs and archaeological research to bring new perspectives to some of the most remarkable, but mysterious, religious locations. Each episode focuses on a site, exploring fundamental questions about the landmarks and the people who constructed them. Exploring the sites allows the show to provide insight into the ancient civilizations and how their practices and struggles are reflected in the shrines and temples they constructed.
Additional Photography:
Colm Whelan
Art Department Manager:
Isabella Walsh
Assistant Location Manager:
Khalid Elanbassi
Casting:
Gillian Reynolds
Casting Assistant:
Ciaron Davies
Cinematography:
Mick O'Rourke
Ronan Fox
Colorist:
Eugene McCrystal
Costume Supervisor:
T.K. Lang
Director:
Stephen Rooke
Editor:
Phillip Lefesi
Editorial Production Assistant:
Aaron McGurgan
Electrician:
Adil Zegnoun
Executive Producer:
Tim Evans
First Assistant Director:
Mustapha Grumij
Grip:
Youssef Ahbid
Line Producer:
Abdelhay Elanbassi
Location Assistant:
Mehdi Elanbassi
Makeup Department Head:
Edwina Kelly
Music:
Giles Packham
Ray Harman
Damien Paul Walsh
Production Design:
Aissaoui Abdelhafid
Lynne Williams
Production Manager:
Maggie Fagan
Sound Effects Editor:
Hugh Mitchell-Dawson
Sound Re-Recording Mixer:
Killian Fitzgerald
Sound Recordist:
Mick Cassidy
Michael Jones
Steadicam Operator:
Mick O'Rourke
Stunts:
Younes Afroukh
Unit Manager:
Asmaa El Mouttaki
Unit Production Manager:
Laura Danaher
Visual Effects:
Andy Clarke
Kevin O'Brien
Writer:
David Ryan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.