A work in constant progress (and occasional regress).
Premiere:
July 29, 2012
# of Seasons: 1
# of Episodes: 3
Finale:
August 12, 2012
Original Title:
The Dark: Nature's Nighttime World
Alternate Titles:
Le monde secret de la nuit
Tierisches Nachtleben
Genres:
Documentary
Production Companies:
BBC Studios Natural History Unit
Discovery UK
Terra Mater Factual Studios
Countries:
GB
A new perspective on wildlife at night. A team of biologists and specialist camera crew explore the length of South and Central America to find out how animals have adapted to life in the dark.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Photography:
Christina Karliczek
Rob Drewett
Tom Hooker
Aerial Camera:
Rob Westenberg
Simon Werry
Jamie McPherson
Colorist:
Tim Bolt
Director:
Susanna Handslip
Rowan Musgrave
Jonathan Keeling
Will Ridgeon
Director of Photography:
Pete Hayns
Max Hug Williams
Johnny Rogers
Editor:
Rupert Troskie
Tim Lovell
Angela Maddick
Executive Producer:
Tim Martin
Music:
Jonathan Gunton
Producer:
Susanna Handslip
Rowan Musgrave
Will Ridgeon
Jonathan Keeling
Production Assistant:
Valeria Fabbri-Kennedy
Laura Harvey
James Hemming
Production Coordinator:
Anna Kington
Joanne Verity
Beth Mooney
Production Manager:
Julie Watson
Researcher:
Kiri Cashell
Luke Hollands
Paul Thompson
Script Editor:
Richard Burke-Ward
Second Unit Director:
Daniel Rasmussen
Sound Editor:
Ben Wood
Sound Mixer:
Matt Coster
Pete Howell
Sound Recordist:
James O'Brien
Nick Allinson
Mark Roberts
Simon Cole
Michael Kasic
Underwater Camera:
Richard Wollocombe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.