A work in constant progress (and occasional regress).
Premiere:
April 6, 2015
# of Seasons: 2
# of Episodes: 32
Finale:
July 5, 2016
Original Title:
ЧОП
Genres:
Comedy
Production Companies:
TNT
ООО «А Плюс Продакшн»
Countries:
RU
The series tells about the life of the business center "Nightingale", in which the private security company "Kedr" works. Lev Borisovich, the head of the PSC, is, as he himself believes, not only a guardian of material, but also moral and ethical values. In his subordination are four guards - Fedya, Tolya, Slava and newcomer Andrey. Andrey dreams of becoming a rock star, so he does not value the work of a security guard, but on the very first working day he meets Snezhana, a spa worker, and slowly gets drawn into the workplace of the business center. It is not an action movie with Jason Statham, it's just a story about a couple of days from the humble life of the guards of the Nightingale business center.
Art Direction:
Nikita Sysoev
Anna Karavaeva
Camera Operator:
Evgeny Musin
Evgeny Kozlov
Costume Designer:
Aleksandra Filimonova
Creative Producer:
Denis Kukoyaka
Aleksey Lebedev
Decorator:
Mikhail Anokhin
Director:
Mikhail Solovyov
Editor:
Irina Bychkova
Executive Producer:
Svetlana Kabanova
Dmitry Pachuliya
Idea:
Anton Schukin
Producer:
Anna Yurchenko
Anton Zaytsev
Anton Schukin
Artem Loginov
Aleksandr Dulerayn
Screenplay:
Kirill Kondratov
Velimir Rusakov
Kirill Trifonov
Aleksey Litvinenko
Anton Karavaitsev
Aleksandr Bylkin
Pavel Tikhomirov
Aleksey Kharitonov
Aleksandr Shuliko
Sound:
Dmitry Lanskoy
Writer:
Mikhail Solovyov
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.