A work in constant progress (and occasional regress).
Premiere:
April 19, 2015
# of Seasons: 1
# of Episodes: 2
Finale:
April 20, 2015
Original Title:
Deadline Gallipoli
Genres:
Drama | War & Politics
Production Companies:
Matchbox Pictures
Universal Television
Countries:
AU
Three journalists, Charles Bean, Ellis Ashmead Bartlett and Phillip Schuler, arrive at Gallipoli with the invading British and Allied troops in 1915. They will report the war but are prevented from getting out the true story of an unfolding disaster. From encampment in Cairo to Anzac Cove to the evacuation, this is the story of journalists who will not accept that truth be the first casualty. This is the story of the men who will not shut up. The actions of these men will help change the course of the campaign, ensure that a strategic disaster becomes a legend of human heroism, and leave an impregnable mark on each of their lives.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"C" Camera Operator:
Ernie Clarke
Assistant Grip:
Brett Moyle
Sebastien Deveze
Camera Operator:
Louis Puli
Cinematography:
Geoffrey Hall
Digital Imaging Technician:
Christopher Rudkin
Director:
Michael Rymer
Editor:
Dany Cooper
Martin Connor
First Assistant Camera:
Jules Wurm
Frank Hruby
Music:
Roger Mason
David Bridie
Producer:
John Schwarz
Jacquelin Perske
Penny Chapman
Second Assistant Camera:
Vivyan Madigan
Jordan Agutter
Second Unit Director of Photography:
Ernie Clarke
Steadicam Operator:
Louis Puli
Still Photographer:
Matt Nettheim
Stunt Coordinator:
Lawrence Woodward
Writer:
Cate Shortland
Jacquelin Perske
Stuart Beattie
Shaun Grant
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.