A work in constant progress (and occasional regress).
Premiere:
April 4, 2010
# of Seasons: 2
# of Episodes: 21
Finale:
December 31, 2010
Creators:
Marcius Melhem
Daniel Adjafre
Original Title:
S.O.S. Emergência
Genres:
Comedy
Production Companies:
Estúdios Globo
Countries:
BR
Additional Music:
João Paulo Mendonça
Art Direction:
Moa Batsow
Assistant Camera:
Arismar Ferreira
Ronaldo Verta
Ricardo Bandeira
Assistant Costume Designer:
Luciana Cordeiro
Gisele Queiroz Duarte
Assistant Director:
Bia Coelho
Diego Morais
Assistant Makeup Artist:
Ivann Willig
Vanessa Andrea
Juliana Hoffmann
Roseni Alves de Oliveira
Neto Guarani
Lea Francisca Dias
Assistant Production Design:
Wilson Neto
Carlos Possinhas
Camera Operator:
Ricardo Fuentes
Leonardo Parnace
Casting:
Bruna Bueno
Cinematography:
Ricardo Gaglianone
Colorist:
Saulo Silva
Marcello Pereira
Construction Coordinator:
Marcelo Fernandes
Continuity:
Carla Neuma
Costume Design:
Marina Alcântara
Director:
Mauro Mendonça Filho
Editor:
André Ricardo Correia
Valeria de Barros
Executive Producer:
Aluízio Augusto
Lighting Director:
Roberto Tricarico
Makeup Artist:
Vavá Torres
Music Director:
Mariozinho Rocha
Music Editor:
Yuri Parkinson
Haroldo Sá
Ricardo Gama Baptista
Music Producer:
João Paulo Mendonça
Iuri Cunha
Music Supervisor:
Mariozinho Rocha
Production Assistant:
Isabelle Torres
Carla Maia
Renata Gomes
Renata Costa Pereira
Karla Bittenbcourt
Production Coordinator:
Janice Lana
Production Design:
João Irênio
Isabela Urman
Production Manager:
Verônica Esteves
Project Manager:
Francisco Antônio Mesquita Neto
Researcher:
Giovana Manfredi
Sound:
Alberto Correa
André Luiz Guimarães da Silva
Eduardo Duque Estrada
Special Effects:
Glauco Falci
Visual Effects:
Rafael Ambrosio
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.