A work in constant progress (and occasional regress).
The Great Global Warming Swindle is a polemical documentary film that suggests that the scientific opinion on climate change is influenced by funding and political factors, and questions whether scientific consensus on anthropogenic global warming exists. The program was formally criticised by Ofcom, the UK broadcasting regulatory agency, which upheld complaints of misrepresentation made by David King. The film, made by British television producer Martin Durkin, presents scientists, economists, politicians, writers, and others who dispute the scientific consensus regarding anthropogenic global warming. The programme's publicity materials assert that man-made global warming is "a lie" and "the biggest scam of modern times." Its original working title was "Apocalypse my arse", but the title The Great Global Warming Swindle was later adopted as an allusion to the 1980 mockumentary The Great Rock 'n' Roll Swindle about British punk band the Sex Pistols. The UK's Channel 4 premiered the documentary on 8 March 2007. The channel described the film as "a polemic that drew together the well-documented views of a number of respected scientists to reach the same conclusions. This is a controversial film but we feel that it is important that all sides of the debate are aired." According to Hamish Mykura, Channel 4's head of documentaries, the film was commissioned "to present the viewpoint of the small minority of scientists who do not believe global warming is caused by anthropogenic production of carbon dioxide."
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.