A work in constant progress (and occasional regress).
Creators:
Michael Piller
Rick Berman
Original Title:
Dominion War
The Dominion War is an extended plot concept developed in a number of story arcs of Star Trek: Deep Space Nine, an American science-fiction television series produced by Paramount Pictures. In the fictional Star Trek universe, the Dominion War is a conflict between the forces of the Dominion, Cardassian Union and, later, the Breen Confederacy against the Alpha Quadrant alliance of the United Federation of Planets, Klingon Empire and, later, the Romulan Star Empire. The primary setting of much of the series is aboard the fictional Starfleet controlled space station Deep Space Nine, located above the planet Bajor. In the series this space station was moved so it was situated near a wormhole which provided instantaneous travel to the Gamma Quadrant, a region on the other side of the galaxy. During season two of Deep Space Nine, the Dominion is introduced. Over the course of season two and three more information is introduced, until the conflict escalated in season four, particularly in the episodes Homefront and Paradise Lost. The Dominion War arcs present themes that challenge the values of the characters in a manner not attempted in earlier series of Star Trek, and have received a mixed critical response. Developing the plot of the Dominion War also altered the manner in which the series was scripted, shifting the emphasis from an episodic to a serialized narrative format.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.