A work in constant progress (and occasional regress).
Premiere:
September 18, 2024
# of Seasons: 1
# of Episodes: 5
Finale:
September 18, 2024
Original Title:
What's Next? The Future with Bill Gates
Alternate Titles:
Bill Gates: O Que o Futuro Nos Reserva
Ce urmează: Viitorul cu Bill Gates
Co dalej: Przyszłość oczami Billa Gatesa
Co dál: Budoucnost podle Billa Gatese
Sırada Ne Var? Bill Gates'le Gelecek
What's Next : Le futur selon Bill Gates
What's Next: Die Zukunft mit Bill Gates
What's Next: verso il futuro con Bill Gates
Y ahora qué: El futuro según Bill Gates
Điều gì kế tiếp: Tương lai với Bill Gates
Što slijedi: Budućnost s Billom Gatesom
Τι Ακολουθεί: Το Μέλλον με τον Μπιλ Γκέιτς
Що далі: Майбутнє з Біллом Ґейтсом
מה הלאה: העתיד עם ביל גייטס
व्हॉट्स नेक्स्ट: बिल गेट्स के साथ भविष्य की ओर
มองอนาคตกับบิล เกตส์
下一步:与比尔·盖茨探索未来
下一步:與比爾蓋茨探索未來
明日有解:比爾·蓋茲的未來對策
Genres:
Documentary
Production Companies:
Tremolo Productions
Countries:
US
Join visionary philanthropist Bill Gates as he delves into pressing global issues and uncovers cutting-edge technologies that will transform the world.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Audio Post Coordinator:
Clarisse Guevarra
Dialogue Editor:
Miguel Araujo
Director of Photography:
Brandon Somerhalder
Executive Producer:
Morgan Neville
Caitrin Rogers
Eve Marson
Line Producer:
Miranda Soto
Original Music Composer:
Dan Deacon
Producer:
Jen Krajicek
Sound Designer:
Berke Gülbakan
Sound Effects Designer:
Berke Gülbakan
Sound Re-Recording Mixer:
Adam Carl
Supervising Sound Editor:
Jon Plane
Thanks:
Larry Cohen
Ian Saunders
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.