Prohibido Silbar (2018-2018)

Premiere:
January 1, 2018

# of Seasons: 1

# of Episodes: 8

Finale:
February 19, 2018

Creators:
Ludmila Wagnest
María Eva De Sanctis

Original Title:
Prohibido Silbar

Genres:
Mystery

Production Companies:
Espacio Santafesino

Countries:
AR

A theater cast is haunted by their own fears and obsessions and loses control of the situation.

Additional information:

The Search Form


Art Department Trainee:
Mailen Díaz
Jazmín Fernánez Cardot
Daniela Álvarez

Art Direction:
Melina Guerrero

Assistant Art Director:
Valentina Alfonso

Assistant Camera:
Luisina Pautasso
Juan Gervasoni

Assistant Director:
Bernardo Marozzi

Camera Operator:
Simón Dalmasso

Cinematography:
Floriana Lazzaneo

Color Grading:
Floriana Lazzaneo

Continuity:
Lucas Castro

Costume Design:
Micaela Ballesteros

Data Management Technician:
Gisela Cisilín

Director:
María Eva De Sanctis
Ludmila Wagnest

Editor:
Ramiro Calace Montú
Ludmila Wagnest

Electrician:
Juan Manuel Marasco
Lautaro Gonzales

Gaffer:
Ignacio Giles

Graphic Designer:
Macarena Cecco

Makeup & Hair Assistant:
Melina Olaguibe

Makeup Designer:
Betania Cappato

Music:
Mariano Santos

Producer:
Ramiro Calace Montú

Producer's Assistant:
Gisel Bugliolo
Yamila Ruóppulo
Gastón Cerbino

Props:
Martín Swiatek

Script Supervisor:
Agustín Falco

Set Designer:
Valentina Rodríguez Kers

Sound:
Raúl Rivera

Sound Assistant:
Imanol Sánchez

Sound Designer:
Augusto Wagnest

Sound Post Supervisor:
Raúl Rivera

Still Photographer:
Marcela Pucci
Aldín Motatu

Title Designer:
Marcela Pucci

Writer:
Gastón Cerbino
María Eva De Sanctis

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.