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Alice & Jack (2024-2024)

Premiere:
February 14, 2024

# of Seasons: 1

# of Episodes: 6

Finale:
February 14, 2024

Creators:
Victor Levin

Original Title:
Alice & Jack

Alternate Titles:
Alice and Jack

Genres:
Drama

Production Companies:
Channel 4 Television
De Maio Entertainment
Fremantle Productions
Groundswell Productions
Me + You Productions

Countries:
GB | US

Overview from TheMovieDB

When Alice and Jack first meet, they have a connection so powerful it seems nothing can break it, but can they find happiness together, or will their own emotional complexities get in the way?

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Additional information:

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Performers

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Production

"B" Camera Operator:
Marc Hill

ADR Mixer:
Chris Navarro

Art Direction:
Diana Guney

Assistant Costume Designer:
Alison Lewis

Assistant Editor:
William Shehadeh

Assistant Location Manager:
Patrick McLoughlin

Boom Operator:
Emma Meaden
Lawrence Meads
Matt Daniel
Benjamin Schweimler Ricca

Camera Trainee:
Oliver Durnford

Casting:
Shaheen Baig

Casting Associate:
Jonny Boutwood

Colorist:
Ross Baker

Costume Assistant:
Madison McLoughlin

Costume Design:
Jo Thompson

Costume Standby:
Chloe Murphy
Charlotte Ashworth

Costume Supervisor:
Amy Thompson

Dialogue Editor:
Filipa Principe

Digital Imaging Technician:
Josh Hughes

Director of Photography:
Max Smeds

Dressing Prop:
Kristian Raciti

Editor:
Kim Gaster
Jussi Rautaniemi
Emma Oxley

Executive Producer:
Shannon Gaulding
Andrea Riseborough
Richard Yee
Rebecca Dundon
Hilary Martin
Domhnall Gleeson
Lorenzo De Maio
Victor Levin
Krishnendu Majumdar
Juho Kuosmanen
Michael London

First Assistant Camera:
Dan Brough

First Assistant Director:
Tony Aherne

Floor Runner:
Georgia Harding

Gaffer:
Hélio Ribeiro

Graphic Designer:
Adio Fok
Ilan Galkoff

Grip:
Anthony Adejaiye-Clinton
Darren Hughes
Moses Ogundeji

Head of Production:
Hannah Wilcock

Line Producer:
Dylan Rees

Location Manager:
Kim Eatough
Alessandro Garau

Makeup Artist:
Francoise Herard
Kieron Lavine
Anthony Tester

Makeup Designer:
Nora Robertson

Makeup Supervisor:
Lindy Bishop
Natasha Fagri

Makeup Trainee:
Honor Goodwin

Music:
Stephen Rennicks

Music Supervisor:
Connie Farr

Petty Cash Buyer:
Hattie Noble

Post Production Supervisor:
Liz Pearson

Post-Production Manager:
Charlotte Barnes
Anna Maros

Producer:
Tracy O'Riordan

Production Coordinator:
Lucy Beavis
Shane Abbott

Production Design:
Charlotte Pearson
Stéphane Collonge

Production Manager:
Regina Ruffini
Hannah Clarke

Production Runner:
Marlon Humbert

Production Sound Mixer:
Simon Bysshe

Property Master:
Jonathan Boylan

Script Supervisor:
Silvia Bellitto
Rhiannon Preece-Towey
Kim Armitage

Second Assistant Camera:
Julie Sande

Second Assistant Director:
Sophie Kenny
Alice Haswell

Set Decoration:
Nerissa Gill

Sound Assistant:
Juan Montoto Ugarte

Sound Designer:
Tony Gibson

Sound Mixer:
Diego Casares

Sound Re-Recording Mixer:
Richard Pryke

Standby Art Director:
Mike Del Forno
Tony Boffey

Standby Property Master:
Emma Brassington
Maz Aldridge

Steadicam Operator:
Max Rijavec

Supervising Sound Editor:
Tony Gibson

Third Assistant Director:
Heidi Gower
Olja Mladjenovic
Danni Barrett

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.