A work in constant progress (and occasional regress).
Premiere:
January 1, 2006
# of Seasons: 2
# of Episodes: 45
Finale:
November 20, 2006
Creators:
Eduardo Husni
Original Title:
100% Lucha
Genres:
Action & Adventure | Family
Production Companies:
Endemol Argentina
Telefe
Countries:
AR
100% Lucha is a professional wrestling program that was broadcast in Argentina on the Telefe channel and on its international signal, from 2006 to 2010.
Art Direction:
Carlos De Luca
Assistant Camera:
Pablo Franchica
Ariel Bazán
Ariel Ramírez
Assistant Director:
Daniel Mercatante
Associate Producer:
Martín Kweller
Marcelo Kohen
Boom Operator:
Alexis Branda
Silvio Atún
Gustavo Coronel
Javier Muñíz
Esteban Barreira
Juan C. Soto
Carlos Ciuffardi
Camera Operator:
Flavio Fava
Hernan Olguin
Luis Quevedo
Juan C. Albornoz
Mauro Coronel
Gustavo Serantes
Marcela Acosta
Costume Design:
Néstor Garcia
Félix Daidone
Graciela Quiñoa
Tuta Torres
Victor Giménez
José Luis Cobos
Jorge Andrés
Director:
Fernando Domínguez
Editor:
Daniel Harper
Walter Torres
Electrician:
Fabricio Sosa
Jorge Vivas
Oscar Lalli
Executive Producer:
Eduardo Husni
Gaffer:
Omar Maggi
Diego Cascini
Lighting Technician:
Willy Marmol
Raul Luna
Ezequiel Vergara
Makeup Artist:
María José Torres
Elsa de Abla
María Belén Baldini
Claudia Morani
Makeup Designer:
Alicia Castro
Patricia Cortez
Music:
Claudio Bravo
Producer:
Gustavo Vasco
Sebastián Brunetti
Vicky Bornaz
Fernando Oliveira
Fernanda Sancho
Production Coordinator:
Martín Elizagaray
Production Manager:
Rubén Peucelle
Props:
Diego Aráoz
Miguel Zottola
Set Designer:
Martín Seijas
Sound:
Marcos Miranda
Robert Gregorio
Still Photographer:
Hugo Batistessa
Technical Supervisor:
Osvaldo Nakandakare
Lucas Garat
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.