Cracow Monsters (2022-2022)

Premiere:
March 18, 2022

# of Seasons: 1

# of Episodes: 8

Finale:
March 18, 2022

Creators:
Kasia Adamik

Original Title:
Krakowskie potwory

Alternate Titles:
Axis Mundi
Cracow Monsters
ประตูมิติปีศาจ

Genres:
Sci-Fi & Fantasy

Production Companies:
PISF
Telemark

Countries:
PL

A young woman haunted by her past joins a mysterious professor and his group of gifted students who investigate paranormal activity — and fight demons.

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Administration:
Katarzyna Szewczuk

Administrative Assistant:
Agnieszka Stanek
Dominika Płazińska

Animation:
Karol Chyliński

Assistant Costume Designer:
Katarzyna Woynowska-Szeląg
Katarzyna Smoter
Filip Wakuła
Bartosz Stróżyk
Konrad Bikowski

Assistant Director:
Danyło Jaryj
Justyna Pelc

Assistant Makeup Artist:
Ewa Błach

Assistant Production Design:
Gabriela Bliźniuk

Assistant Production Manager:
Oliwia Jobda
Victoria d' Erceville
Mikołaj d' Erceville
Justyna Sokołowska
Barbara Rusinek
Piotr Nemś

CG Supervisor:
Miron Błocki

Camera Operator:
Janusz Julo Sus
Ziv Berkovich
Fryderyk Potoczek
Anna Bogacz
Jarosław Wierzbicki

Casting:
Paulina Krajnik

Catering:
Katarzyna Fidos
Jacek Gąsiewski
Arkadiusz Grudzień
Grzegorz Guzik
Halina Kalinowska
Aleksandra Kraśnicka
Krzysztof Piotrowicz
Marian Szymański
Zbigniew Szaszkiewicz
Marek Kraśnicki
Marzena Derkowska
Bernadetta Strumińska
Roman Strumiński

Compositing Supervisor:
Tomasz Tejchman

Compositor:
Sylwester Lipiński
Jakub Petruk
Wojciech Świątkiewicz
Roman Pron
Vlad Peralyhin
Sergii Kostyshyn
Janusz Budzyn
Jan Białek

Costume Design:
Katarzyna Lewińska

Costume Designer:
Marta Horowic

Dialogue Editor:
Aleksandra Landsmann
Natalia Lubowiecka
Adam Szlenda
Ewa Wrzesińska

Digital Intermediate:
Ireneusz Dąbrowski

Director of Photography:
Ziv Berkovich

Grip:
Adam Tomasik
Rafał Piech
Paweł Bazylczuk

Health and Safety:
Wojciech Konkol

Interior Designer:
Magdalena Marszałek

Key Grip:
Sebastian Frac

Lighting Artist:
Marek Głatki
Piotr Dobaczewski
Mateusz Bargiel
Artur Szymczak
Mateusz Gajewski

Makeup & Hair:
Ewa Kowalewska

Master Lighting Artist:
Konrad Karasewicz

Matte Painter:
Daniel Niszczota
Jan Białek
Agnieszka Ratyńska

Medical Consultant:
Justyna Lewicka
Dorota Warzocha
Katarzyna Kozińska
Hubert Latuszek
Konrad Tomera
Krzysztof Jakucy

Modeling:
Tomasz Witkowski
Adam Ziemann
Klaudia Szot
Katarzyna Kowal
Piotr Grzegorek
Adam Garguliński
Angelika Koper

Music:
Mary Komasa
Antoni Łazarkiewicz

Music Consultant:
Paweł Juzwuk

Pipeline Technical Director:
Jonas Lindfors

Post-Production Manager:
Magda Janowska
Martyna Korablewska-Szpetmańska

Producer:
Kasia Adamik
Maciej Kubicki

Producer's Assistant:
Katarzyna Dudarewicz

Production Coordinator:
Mateusz Kuczyński

Production Design:
Łukasz Trzciński
Anna Anosowicz

Production Manager:
Robert Feluch

Props:
Dariusz Lipiński
Paweł Śmiałkowski

Script:
Renata Gałuszka

Sculptor:
Klaudia Szot
Katarzyna Kowal
Piotr Grzegorek
Adam Garguliński
Angelika Koper

Second Unit Director of Photography:
Janusz Julo Sus

Shading:
Daniel Niszczota

Songs:
Bartosz Jan Schmidt

Sound:
Mariusz Wysocki
Marcin Kasiński
Kacper Habisiak

Sound Designer:
Filip Krzyżykowski

Sound Director:
Kacper Habisiak
Marcin Kasiński

Special Props:
Cezary Kostrzewski

Steadicam Operator:
Maciej Tomków
Adam Mendry

Still Photographer:
Robert Pałka

Story Editor:
Aleksandra Chmielewska
Nina Lewandowska

Storyboard:
Jan Topczewski

Stunt Coordinator:
Tomasz Lewandowski
Jakub Kazikowski
Sławomir Kurek

Stunts:
Sławomir Kurek
Jakub Kazikowski
Paweł Jabłoński
Mirosław Pisarek
Michał Krzyżkowiak
Agnieszka Pawłowska
Joanna Różańska
Marcin Drabicki
Dariusz Obrębski
Paweł Jusiński
Kajetan Miros
Jakub Cieślak
Natalia Milewska
Kajetan Ginter
Maciej Kwiatkowski
Aleksandra Krzemieniecka
Sebastian Kamiński
Jakub Zell
Adrian Stachura
Jakub Czaja
Paweł Kowalski
Agnieszka Rawinis

Tailor:
Piotr Paweł Truszkiewicz

Title Designer:
Piotr Dismas Zdanowicz

Transcriptions:
Danyło Jaryj

Translator:
Magdalena Cedro
Adam Banaszkiewicz
Teresa Czepiec

VFX Editor:
Marcin Drabiński

VFX Supervisor:
Marcin Drabiński

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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