A work in constant progress (and occasional regress).
Premiere:
June 10, 2021
# of Seasons: 1
# of Episodes: 4
Finale:
June 10, 2021
Creators:
Daniele Lince
Elena Beatrice
Davide Mela
Original Title:
Post Scriptum - Uno sguardo ottimista dalla fine del mondo
Genres:
Comedy | Documentary | Sci-Fi & Fantasy
Production Companies:
Grey Ladder
Infinity TV
Countries:
IT
A docu-fiction about the present starting from the future: with an optimistic attitude and a sci-fi approach, the last man on Earth is looking for lost memories from Italy in 2020.
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Assistant Camera:
Irene Pallaro
Assistant Costume Designer:
Gherardo Do
Assistant Production Design:
Rebecca Samek
Associate Producer:
Elena Beatrice
Daniele Lince
Nunzio De Filippo
Roberto Tomeo
Alessio De Cicco
Irene Pallaro
Davide Caci
Davide Piazzolla
Domenico Bruzzese
Camera Operator:
Alessio De Cicco
Nunzio De Filippo
Domenico Bruzzese
Davide Piazzolla
Colorist:
Roberto Tomeo
Continuity:
Matteo Tarditi
Costume Design:
Francesca Cibischino
Anna Bonardello
Director of Photography:
Davide Piazzolla
Editor:
Elena Beatrice
Daniele Lince
Electrician:
Igor Jechiu
Executive Producer:
Alessandro Regaldo
First Assistant Director:
Isabella Parodi
Gaffer:
Alessio De Cicco
Graphic Designer:
Matteo Bilotto
Intern:
Gloria Napolitano
Nicolò Ricciotti
Location Manager:
Daniele Manca
Makeup Artist:
Ilaria Spadaro
Music:
Marco Romano
Fabio Di Santo
Producer:
Davide Mela
Production Assistant:
Amedeo Zamboni
Production Design:
Ludovica Spacca
Production Sound Mixer:
Marco Romano
Fabio Di Santo
Screenplay:
Davide Mela
Elena Beatrice
Daniele Lince
Second Assistant Director:
Matteo Tarditi
Sound Designer:
Marco Romano
Fabio Di Santo
Sound Engineer:
Simone Lampedone
Still Photographer:
Domenico Bruzzese
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.