Home

Super Pumped: The Battle for Uber (2022-2022)

Premiere:
February 27, 2022

# of Seasons: 1

# of Episodes: 7

Finale:
April 10, 2022

Creators:
Brian Koppelman
David Levien

Original Title:
Super Pumped: The Battle for Uber

Alternate Titles:
Super Pumped
Super Pumped: A Guerra Pela Uber
Заряженные на успех
На низком старте

Genres:
Drama

Production Companies:
Best Available!
Showtime Networks

Countries:
US

Overview from TheMovieDB

Each season of this anthology series explores a story that rocked the business world to its core and changed culture. The first season tells the story of Uber, one of Silicon Valley’s most successful and most destructive unicorns.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Teaser

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Jody Miller

"B" Camera Operator:
Brian T. Pitts

ADR Editor:
Mary Ellen Porto

Assistant Production Coordinator:
Erin Engman

Assistant Unit Manager:
Michelle Parvin

Associate Producer:
Christopher Aguis

Book:
Mike Isaac

Casting:
Allison Estrin

Casting Associate:
Jonathan Voluck

Chief Lighting Technician:
Jeremy Launais

Clearances Coordinator:
Vanessa Wilson

Co-Executive Producer:
Mike Isaac
Mike Harrop
Safia M. Dirie

Co-Producer:
Julie Hartley
Emily Hornsby

Color Assistant:
David Franzo
Sam Fischer

Colorist:
Joe Gawler
Roman Hankewycz

Construction Coordinator:
Ryan Handt

Costume Design:
Johanna Argan

Dialogue Editor:
John Werner

Digital Imaging Technician:
Pasquale Paolo

Digital Intermediate Producer:
Kyle Flannery

Executive Producer:
David Levien
Brian Koppelman
Beth Schacter
Paul Schiff
Stephen Schiff
Allyce Ozarski

Executive Producer's Assistant:
Rose Johnson-Brown
Aiyana White
Cameron Wu
Amarakvati Murphy Ly
Simone Wright

Foley Artist:
Rachel Chancey

Foley Editor:
Will Ralston

Hair Department Head:
Nina Paskowitz

Key Grip:
Steve Iriguchi

Location Manager:
Paul D. Boydston

Makeup Department Head:
Angel Radefeld

Music Coordinator:
Ian Herbert

Music Editor:
Shari Johanson

Music Supervisor:
Randall Poster

Original Music Composer:
Brendan Angelides

Post Production Coordinator:
Frankie Fortunato

Post Production Supervisor:
Delaura Attaran

Producer:
Sarah Acosta

Production Accountant:
Patrick Sanchez

Production Controller:
Jennifer Madigan

Production Coordinator:
Ben Jordan

Production Secretary:
Zachary Warner

Production Sound Mixer:
Russell White

Production Supervisor:
Nina Findley

Property Master:
Cameron Lowande

Script Coordinator:
Geoff Rock

Script Supervisor:
Tara Wright

Set Decoration:
Siobhan O'Brien

Sound Effects Editor:
Kate Bilinski

Sound Re-Recording Mixer:
Eric Hirsch

Steadicam Operator:
Jody Miller

Supervising Sound Editor:
Gregg Swiatlowski

Technical Advisor:
Can Duruk

Transportation Coordinator:
Fred Teague

Unit Production Manager:
Julie Hartley

VFX Artist:
Chris MacKenzie

Visual Effects Producer:
Eun-Duk Cho
Matthew Poliquin
Hallana Paula Brabosa

Visual Effects Supervisor:
Andrew Woolley
Saurabh Maurya

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.