A work in constant progress (and occasional regress).
Premiere:
March 6, 2019
# of Seasons: 2
# of Episodes: 8
Finale:
March 31, 2021
Original Title:
Australia in Colour
Alternate Titles:
Damals in Australien
Genres:
Documentary
Countries:
AU
Told through a unique collection of iconic archival footage brought to life in stunning colour for the very first time, Australia in Colour tells the story of how Australia came to be what it is today. Narrated by Hugo Weaving, the series is a reflection on our nation’s character, its attitudes, its politics and its struggle to value its Indigenous and multicultural past. Australia in Colour gives us a chance to look at Australia’s history from a fresh perspective. This four-part series curates classic historical footage, as well as home movies and never-before-seen archival material to chart how Australia has developed as a nation. From the oldest surviving footage captured in Australia – in 1896 in Sydney’s Prince Alfred Park – to the beginning of colour television in the mid-1970s, each sequence has been lovingly restored and colourised with historical accuracy. The effect is remarkable, bringing to light history that is both shared and deeply personal.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.