A work in constant progress (and occasional regress).
Alias:
Vanessa Wanger Hope
Vanessa Wanger
葛靜文
Associate Producer:
2010 Twelve
Director:
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2024 Invisible Nation
Executive Producer:
2009 William Kunstler: Disturbing the Universe
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2022 Born Free: The Real Cost of Birth
2024 Invisible Nation
Producer:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Researcher:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Sound Recordist:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Thanks:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2018 Sorry to Bother You
2022 18½
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Transcriptions:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2018 Sorry to Bother You
2022 18½
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Translator:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2018 Sorry to Bother You
2022 18½
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Writer:
2004 The Story of Ermei
2007 The State of the World
2009 William Kunstler: Disturbing the Universe
2010 The Imperialists Are Still Alive!
2010 Twelve
2014 China in Three Words
2015 All Eyes and Ears
2015 China Connection: Joan
2018 Sorry to Bother You
2022 18½
2022 Born Free: The Real Cost of Birth
2022 Who We Are: A Chronicle of Racism in America
2024 Invisible Nation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.