A work in constant progress (and occasional regress).
Alias:
Natalie Moliavko Visotsky
Nathalie M. Visotzky
Nathalie Moliavko-Visostsky
Birthplace:
Sydney, Australia
Born:
May 18, 1953
"A" Camera Operator:
2001 Heist
"B" Camera Operator:
2001 Heist
2001 The Score
Cinematography:
1992 A Sleeping Tree Dreams of Its Roots
2001 Heist
2001 The Score
2007 Super Phoenix
???? La Ruse
Director of Photography:
1992 A Sleeping Tree Dreams of Its Roots
2001 Heist
2001 The Score
2006 From My Window, Without a Home
2007 Super Phoenix
2008 Martyrs
2009 Detour
2010 The Kate Logan Affair
2013 1st Love
2014 An Eye for Beauty
2015 Ego Trip
2016 Amaretto Sour
2018 Ziva Postec: The Editor Behind the Film Shoah
2019 Apapacho: A Caress for the Soul
2019 Forgotten Flowers
2019 Lorraine Pintal - So The Light Never Dies
2021 Les fils
2021 One of a Kind Love
2021 The Sticky Side of Baklava
2022 Pink Lake
2024 Ababooned
2024 On Earth as in Heaven
???? La Ruse
Focus Puller:
1988 Pin
1992 A Sleeping Tree Dreams of Its Roots
2001 Heist
2001 The Score
2006 From My Window, Without a Home
2007 Super Phoenix
2008 Martyrs
2009 Detour
2010 The Kate Logan Affair
2013 1st Love
2014 An Eye for Beauty
2015 Ego Trip
2016 Amaretto Sour
2018 Ziva Postec: The Editor Behind the Film Shoah
2019 Apapacho: A Caress for the Soul
2019 Forgotten Flowers
2019 Lorraine Pintal - So The Light Never Dies
2021 Les fils
2021 One of a Kind Love
2021 The Sticky Side of Baklava
2022 Pink Lake
2024 Ababooned
2024 On Earth as in Heaven
???? La Ruse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.