A work in constant progress (and occasional regress).
Alias:
Zach Treitz
Zachary Trietz
Zachary Treitz is a director and editor known for American Conspiracy: The Octopus Murders (TV Series) and Men Go to Battle.
Additional Production Sound Mixer:
2016 Men Go to Battle
Additional Sound Re-Recording Mixer:
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
Assistant Camera:
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
Camera Operator:
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
Co-Producer:
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
Director:
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
Driver:
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
Editor:
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Foley:
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Gaffer:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Location Scout:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Producer:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Production Sound Mixer:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2014 reConception
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Production Supervisor:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2014 reConception
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
???? Inclusive
Sound:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2014 reConception
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
2021 Byron & Shelley: Illuminati Detectives
???? Inclusive
Sound Mixer:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2014 reConception
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
2021 Byron & Shelley: Illuminati Detectives
???? Inclusive
Sound Recordist:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2010 John's Gone
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2014 reConception
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
2021 Byron & Shelley: Illuminati Detectives
???? Inclusive
Writer:
2006 Shortwave
2008 The Mean Time
2008 The Pleasure of Being Robbed
2010 Bob and the Trees
2010 Daddy Longlegs
2010 John's Gone
2011 We're Leaving
2013 Carthage
2013 Frances Ha
2014 Young Bodies Heal Quickly
2014 reConception
2016 Men Go to Battle
2018 Shawn Mendes: Artist Spotlight Stories
2021 Byron & Shelley: Illuminati Detectives
???? Inclusive
Director:
2024 American Conspiracy: The Octopus Murders
Executive Producer:
2024 American Conspiracy: The Octopus Murders
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.