A work in constant progress (and occasional regress).
Birthplace:
Montreal, Quebec, Canada
Montréal born Elza Kephart graduated from Emerson College with a BFA in Film Production and Screenwriting. She then returned to her hometown where she wrote and directed her first feature GRAVEYARD ALIVE. Since its premiere in 2003 the film has screened in over 20 international film festivals and garnered numerous awards, as well as being picked up for distribution and international sales. Kephart has attended the Canadian Film Centre’s Director’s Lab, the TIFF Talent Lab, the Berlinale Talent Campus, and has obtained development funding for numerous projects. GO IN THE WILDERNESS is her second feature.
Cinematography:
2021 Watermelons: Vampires Of The Drâa
Director:
2003 Graveyard Alive: A Zombie Nurse in Love
2006 Beyond The Pearly Gates Of Ill-Repute
2013 Go in the Wilderness
2020 Slaxx
2021 Watermelons: Vampires Of The Drâa
???? Bjorn of the Dead
Editor:
2003 Graveyard Alive: A Zombie Nurse in Love
2006 Beyond The Pearly Gates Of Ill-Repute
2013 Go in the Wilderness
2020 Slaxx
2021 Watermelons: Vampires Of The Drâa
???? Bjorn of the Dead
Location Assistant:
2001 The Score
2003 Graveyard Alive: A Zombie Nurse in Love
2006 Beyond The Pearly Gates Of Ill-Repute
2013 Go in the Wilderness
2020 Slaxx
2021 Watermelons: Vampires Of The Drâa
???? Bjorn of the Dead
Producer:
2001 The Score
2003 Graveyard Alive: A Zombie Nurse in Love
2006 Beyond The Pearly Gates Of Ill-Repute
2013 Go in the Wilderness
2020 Slaxx
2021 Watermelons: Vampires Of The Drâa
???? Bjorn of the Dead
Writer:
2001 The Score
2003 Graveyard Alive: A Zombie Nurse in Love
2006 Beyond The Pearly Gates Of Ill-Repute
2013 Go in the Wilderness
2020 Slaxx
2021 Watermelons: Vampires Of The Drâa
???? Bjorn of the Dead
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.