A work in constant progress (and occasional regress).
Birthplace:
Chicago, Illinois, USA
Born:
May 4, 1904
Died:
August 23, 1968
From Wikipedia, the free encyclopedia Benedict Bogeaus (May 4, 1904, in Chicago – August 23, 1968, in Hollywood), was an independent film producer and former owner of General Service Studios. He became a property developer in Chicago, accumulating a fortune of $18 million, which he lost during the Great Depression. He went to Europe with what money had had left, looking for new opportunities. He produced a film in France, The Virgin Man and one in Germany, Daughter of the Regiment and later said both were "very bad". Bogeaus moved to Hollywood in 1940 and went into partnership with Herbert Huston making a portable developing machine. The advent of World War Two saw this become a huge success. When AT&T's Western Electric unit that manufactured sound equipment for film was forced by an antitrust action to divest itself of the General Service Studio complex, Bogeaus outbid producer Edward Small to acquire the studio. He allowed the United States Government to use his complex for film work and leased it out to various independent film producers, keeping his eye on their progress. Eventually he decided to make films himself. Forming Benedict Bogeaus Productions in 1944, his first film was The Bridge of San Luis Rey (1944), directed by Rowland V. Lee and released though United Artists. He followed it with Dark Waters (1944), directed by Andre de Toth), and Captain Kidd (1945), directed by Lee with Charles Laughton and Randolph Scott. He also produced The Diary of a Chambermaid (1946) along with stars Paulette Goddard and Burgess Meredith; it was directed by Jean Renoir. Though these films were critically acclaimed, they didn't set the box office on fire. Realising the public's attraction to low and middle budget films with star power, Bogeaus signed George Raft on for a few films, beginning with Mr. Ace (1946), directed by Edwin Marin. The movie was not a financial success. Bogeaus made The Macomber Affair (1947) with Gregory Peck directed by Zoltan Korda. He made two anthology films with multiple stars in different storylines so they could be filmed at different times: Christmas Eve (1947), with Raft and Scott, directed by Marin; On Our Merry Way (1948), with Goddard, James Stewart and Henry Fonda. and Bogeaus made two films with Dorothy Lamour and George Montgomery, Lulu Belle (1948) and The Girl from Manhattan (1948). He turned to film noir with two films directed by Robert Florey: The Crooked Way (1949) and Johnny One-Eye (1950). Most of Bogeaus' films had been released through United Artists. He signed a deal with RKO for Count the Hours (1952), Appointment in Honduras (1953), Silver Lode (1954), Passion (1954), Cattle Queen of Montana (1955), Escape to Burma (1955), Pearl of the South Pacific (1955), Tennessee's Partner (1955), and Slightly Scarlet (1955). RKO collapsed and Bogeaus made The River's Edge (1957) with Dwan for Fox, and Enchanted Island (1958) for Warners. Dwan's final films included two directed by Byron Haskin in Mexico: From the Earth to the Moon (1958) and Jet Over the Atlantic (1959). His last production was Most Dangerous Man Alive directed by Dwan that was filmed in 1958 in Mexico but not released until 1961. Dwan and Bogeaus cooperated in three unfilmed projects, a remake of The Bridge at San Luis Rey, Will You Marry Me, written by Dwan, and The Glass Wall.
Presenter:
1947 Christmas Eve
Producer:
1944 Dark Waters
1944 The Bridge of San Luis Rey
1945 Captain Kidd
1946 The Diary of a Chambermaid
1947 Christmas Eve
1947 The Macomber Affair
1948 Lulu Belle
1948 On Our Merry Way
1948 The Girl from Manhattan
1949 The Crooked Way
1950 Johnny One-Eye
1951 My Outlaw Brother
1952 One Big Affair
1953 Appointment in Honduras
1953 Count the Hours!
1954 Cattle Queen of Montana
1954 Passion
1954 Silver Lode
1955 Escape to Burma
1955 Tennessee's Partner
1956 Slightly Scarlet
1957 The River's Edge
1958 Enchanted Island
1958 From the Earth to the Moon
1961 Most Dangerous Man Alive
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.