A work in constant progress (and occasional regress).
Alias:
Aleksandr Granakh
Schaje Granoch
Александр Гранах
Birthplace:
Werbowitz, Galicia, Austria-Hungary [now Verbivtsi, Kolomyia Raion, Ivano-Frankivsk Oblast, Ukraine]
Born:
April 18, 1890
Died:
March 14, 1945
From Wikipedia, the free encyclopedia Alexander Granach (April 18, 1890 – March 14, 1945) was a popular German actor in the 1920s and 1930s who immigrated to the United States in 1938. Granach was born Jessaja Gronach in Werbowitz (Wierzbowce/Werbiwci) (Horodenka district, Austrian Galicia then, now Verbivtsi, Ivano-Frankivsk Oblast, Ukraine), to Jewish parents and rose to theatrical prominence at the Volksbühne in Berlin. Granach entered films in 1922; among the most widely exhibited of his silent efforts was the vampire classic Nosferatu (1922), in which the actor was cast as Knock, the lunatic counterpart to Renfield, effectively a substitute name for Dracula. He co-starred in such major early German talkies as Kameradschaft (1931). The Jewish Granach fled to the Soviet Union when Hitler came to power. When the Soviet Union also proved inhospitable, he settled in Hollywood, where he made his first American film appearance as Kopalski in Ernst Lubitsch's Ninotchka (1939) for Metro-Goldwyn-Mayer. Granach proved indispensable to film makers during the war years, effectively portraying both dedicated Nazis (he was Julius Streicher in The Hitler Gang, 1944) and loyal anti-fascists. Perhaps his best role was as Gestapo Inspector Alois Gruber in Fritz Lang's Hangmen Also Die! (1943). His last film appearance was in MGM's The Seventh Cross (1944), in which almost the entire supporting cast was prominent European refugees.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.