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Shaun Costello (1944-2023)

Alias:
Amanda Barton
Arlo Benson
Arthur van Deuvel
Eclair von Ott
Harry Gordon
Helmuth Richler
Howard Stein
Howard Steinman
Jack Hammer
Jerry Conti
Joel Devlin
John Stover
Kenneth Schwartz
Lars Tobin
Martin Jones
Nicholas Berland
Oscar Tripe
Otto Von Lickit
Rick Livermoore
Russ Carlson
Stephen Steinberg
Warren Evans

Birthplace:
The Bronx, New York City, New York, USA

Born:
January 1, 1944

Died:
July 5, 2023

Biography from TheMovieDB

Shaun Costello began directing for "loops" (10-minute scenes shown in coin-operated viewers in adult theaters) in NYC in the early 1970s, and soon was directing (and acting in) full porn movies and other grindhouse "roughies" shown in Times Square's 42nd Street adult theaters. Costello took work where he could get it, often working for the Mob, who owned many adult theaters and distribution, and working under different aliases for different theaters so that no one (at the time) knew that he was his own competition. Eventually moving on to a mainstream documentary career, Costello written and directed grindhouse movies - rough and violent and reflecting of their times - have seen a resurgence as the 2010's have seen these movies be remastered and re-released and often seen for the first time in decades. Anyone interested in the history of American porn or grindhouse/exploitation theater of the late 1960s and 1970s will likely have encountered Shaun Costello's work, often unknowingly due to his prolific use of aliases.

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Film Performances

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Film Production

Associate Producer:
1991  Popcorn

Director:
1990  Writing for Time
1991  Popcorn

Director of Photography:
1990  Writing for Time
1991  Popcorn

Editor:
1990  Writing for Time
1991  Popcorn

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.