A work in constant progress (and occasional regress).
Alias:
Nora Cecile
Norah Cecile
Birthplace:
London, England, UK
Born:
September 24, 1878
Died:
May 1, 1951
From Wikipedia, the free encyclopedia Nora Cecil (September 20, 1878 – May 1, 1951) was a British-American character actress whose 30-year career spanned both the silent and sound film eras. Cecil's career began on the stage, where she appeared in a single Broadway production, The Sleeping Beauty and the Beast, which ran for more than 240 performances at the Broadway Theatre in 1901-02. (A 1930 newspaper article says that Cecil "made her debut, three decades ago, on the London stage.") Cecil appeared in well over 100 feature films and film shorts. In 1915, she moved from the stage into films, her first appearance being in a starring role in The Arrival of Perpetua, directed by Émile Chautard. She often played "thin-lipped, stern-visaged dowagers and forbidding mothers-in-law" and "welfare workers, landladies, schoolmistresses and maiden aunts". One of the most significant roles was in the W.C. Fields vehicle, The Old Fashioned Way in 1934. Some of the other notable films in which Cecil appeared include: Ernst Lubitsch's historical romance, The Merry Widow, starring Maurice Chevalier and Jeanette MacDonald; the 1939 version of The Adventures of Huckleberry Finn, starring Mickey Rooney; the John Ford classic, Stagecoach, with John Wayne. Her final acting performance was in a featured role in Mourning Becomes Electra in 1947, starring Rosalind Russell.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.