A work in constant progress (and occasional regress).
Birthplace:
Pensacola, Florida, USA
Born:
October 1, 1956
From Wikipedia, the free encyclopedia. Tara Buckman (born October 1, 1956) is an American television and film actress. Her active career was mainly confined to the late 1970s to the mid-1990s. Though never reaching feature status, Buckman was nonetheless a regular guest star on many television series. She also appeared in minor roles in feature films. Television Buckman is remembered mostly for her guest appearances in episodes of such 1970s and 1980s television fare as The Rockford Files, Kojak, CHiPs, The Hardy Boys Mysteries, Quincy, M.E., The Misadventures of Sheriff Lobo (in which she held a recurring if minor role as Sgt. Brandy Cummings), The Master and Buck Rogers in the 25th Century. She also portrayed Norma Kirkland on the daytime drama Days of our Lives in 1984/1985. In film Often cast in minor roles in larger budget films, Tara appeared in the Burt Reynolds vehicles Hooper and The Cannonball Run in 1978 and 1981, respectively. Buckman was generally offered the portrayal of largely dimensionless and 'decorative' parts, such as "Jill - Lamborghini Girl #2" (alongside Adrienne Barbeau) in The Cannonball Run. Buckman also appeared in several 'B' movies from the late 1970s through to the mid-1990s. Tara appeared in a rape/murder scene, in which her top was torn open and her throat was slit by a man dressed as Santa Claus in the 1984 controversial horror film Silent Night, Deadly Night. Tara appeared in the 1986 film Never Too Young to Die, her most recent major role was as Dr. Julie Casserly in Xtro 2 (1991). Other more recent fare include the films Blue Angel Cafe, High Finance Woman, The Marilyn Diaries alongside porn star Marilyn Chambers, and Snowballing.
Stunts:
1995 Hostile Intentions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.