Home

María José Cantudo (b. 1951)

Birthplace:
Andújar, Jaén, Spain

Born:
July 10, 1951

Biography from TheMovieDB

María Purificación Josefa Cantudo Porcel, known as María José Cantudo (Andújar, Jaén, July 10, 1951), is a Spanish actress and vedette. The hotelier businessman Carlos del Val encourages and supports her so that she can start an artistic career in Madrid. Her beginnings in 1971-1972 are as an advertising model and photo novel actress, a genre in which she acquires certain popularity. She began her film career in 1973 with the films El espanto surge de la tumba and Autopsia, but achieved her first success under Jorge Grau in La trastienda (1976), where she starred in the first female full nude (seen through a mirror) of Spanish cinema. In 1973 she married the singer and actor Manolo Otero, father of her only son, Manuel (b. 1974). Separated in 1978, she has been romantically linked to actor Pedro Ruiz and artistic entrepreneur Enrique Cornejo. In 2013 she is designated an honorary member of UNESCO for her philanthropic work.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

TV Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.