Jean Carlomusto

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Assistant Editor:
1983  Manos a la Obra: The Story of Operation Bootstrap

Director:
1983  Manos a la Obra: The Story of Operation Bootstrap
1988  Doctors, Liars, and Women: AIDS Activists Say No to Cosmo
1989  Something Fierce
1991  L is for the Way You Look
1994  Not Just Passing Through
2000  Shatzi Is Dying
2010  Sex in an Epidemic
2015  Larry Kramer In Love & Anger
2016  Compulsive Practice
2022  Esther Newton Made Me Gay

Director of Photography:
1983  Manos a la Obra: The Story of Operation Bootstrap
1988  Doctors, Liars, and Women: AIDS Activists Say No to Cosmo
1989  Something Fierce
1991  L is for the Way You Look
1992  It Is What It Is
1994  Not Just Passing Through
2000  Shatzi Is Dying
2010  Sex in an Epidemic
2015  Larry Kramer In Love & Anger
2016  Compulsive Practice
2022  Esther Newton Made Me Gay

Editor:
1983  Manos a la Obra: The Story of Operation Bootstrap
1988  Doctors, Liars, and Women: AIDS Activists Say No to Cosmo
1989  Something Fierce
1991  L is for the Way You Look
1992  It Is What It Is
1994  Not Just Passing Through
2000  Shatzi Is Dying
2010  Sex in an Epidemic
2015  Larry Kramer In Love & Anger
2016  Compulsive Practice
2022  Esther Newton Made Me Gay

Producer:
1983  Manos a la Obra: The Story of Operation Bootstrap
1988  Doctors, Liars, and Women: AIDS Activists Say No to Cosmo
1989  Something Fierce
1991  L is for the Way You Look
1992  It Is What It Is
1994  Not Just Passing Through
2000  Shatzi Is Dying
2010  Sex in an Epidemic
2015  Larry Kramer In Love & Anger
2016  Compulsive Practice
2022  Esther Newton Made Me Gay

Writer:
1983  Manos a la Obra: The Story of Operation Bootstrap
1988  Doctors, Liars, and Women: AIDS Activists Say No to Cosmo
1989  Something Fierce
1991  L is for the Way You Look
1992  It Is What It Is
1994  Not Just Passing Through
2000  Shatzi Is Dying
2010  Sex in an Epidemic
2015  Larry Kramer In Love & Anger
2016  Compulsive Practice
2022  Esther Newton Made Me Gay

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.