Nicolas Canniccioni

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Additional Director of Photography:
2009  I Killed My Mother

Camera Operator:
2009  I Killed My Mother
2010  Bull's eye, un peintre à l'affût

Cinematography:
2009  I Killed My Mother
2010  Bull's eye, un peintre à l'affût
2020  As Night Descends
2023  Frontiers
????  IN THE SHADOW OF THE NORTH

Director of Photography:
2007  Our Jail is a Kingdom
2009  Clouds over the City
2009  I Killed My Mother
2010  Bull's eye, un peintre à l'affût
2010  Journey's End
2011  Laurentia
2012  Two Days And A Half
2013  Come Worry with Us!
2013  Gerontophilia
2015  Early Winter
2015  Nina
2015  Remaining Lives
2015  The Demons
2016  Letters to the Prime Minister
2017  My Last Summer
2017  The Little Girl Who Was Too Fond of Matches
2018  First Stripes
2018  Jo
2019  Genesis
2019  Kinship
2019  Kuessipan
2019  Roads in February
2019  The Seven Last Words
2020  As Night Descends
2021  Bootlegger
2021  En tête de ligne
2021  Ousmane
2022  Rojek
2023  A Respectable Woman
2023  Frontiers
2023  How to Have Sex
2024  Perfectly A Strangeness
????  IN THE SHADOW OF THE NORTH
????  MTL Punk: La première vague

Producer:
2007  Our Jail is a Kingdom
2009  Clouds over the City
2009  I Killed My Mother
2010  Bull's eye, un peintre à l'affût
2010  Journey's End
2011  Laurentia
2012  Two Days And A Half
2013  Come Worry with Us!
2013  Gerontophilia
2015  Early Winter
2015  Nina
2015  Remaining Lives
2015  The Demons
2016  Letters to the Prime Minister
2017  My Last Summer
2017  The Little Girl Who Was Too Fond of Matches
2018  First Stripes
2018  Jo
2019  Genesis
2019  Kinship
2019  Kuessipan
2019  Roads in February
2019  The Seven Last Words
2020  As Night Descends
2021  Bootlegger
2021  En tête de ligne
2021  Ousmane
2022  Rojek
2023  A Respectable Woman
2023  Frontiers
2023  How to Have Sex
2024  Perfectly A Strangeness
????  IN THE SHADOW OF THE NORTH
????  MTL Punk: La première vague

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.