P. C. Sreeram (b. 1956)

Alias:
P. C.
P. C. Sriram
P.C. Sreeram
P.C.Sreeram
P.C.Sriram

Birthplace:
Chennai, Tamil Nadu, India

Born:
January 26, 1956

P. C. Sreeram is an Indian cinematographer and film director who works mainly in the Tamil film industry. A student of Madras Film Institute, Sreeram is widely regarded as the "Guru of Cinematography". Apart from his cinematographic works, he was much appreciated for his directorial venture Kuruthipunal which was submitted by India as its official entry to the Oscars in 1996. Sreeram is well known for his association with Mani Ratnam and received critical acclaim for his work in films such as Mouna Ragam, Nayagan, Agni Natchathiram, Kushi, and Geetanjali. He has worked as a cinematographer in over 30 films spanning across Tamil, Telugu, Malayalam, Kannada and Hindi, besides directing three films and a few TV commercials.

Additional information:

The Search Form


Cinematography:
1990  Idhaya Thamarai
1992  Amaran
2006  Varalaru

Co-Director:
1990  Idhaya Thamarai
1992  Amaran
2006  Varalaru
2008  Dhaam Dhoom

Director:
1990  Idhaya Thamarai
1992  Amaran
1992  Meera
1995  Kuruthipunal
2004  Vaanam Vasappadum
2006  Varalaru
2008  Dhaam Dhoom

Director of Photography:
1982  Nandri, Meendum Varuga
1985  Meendum Oru Kaathal Kathai
1985  Poove Poochudava
1986  Mouna Raagam
1987  Nayakan
1988  Agni Natchathiram
1989  Apoorva Sagodharargal
1989  Geethanjali
1990  Idhaya Thamarai
1992  Amaran
1992  Meera
1992  Thevar Magan
1993  Thiruda Thiruda
1994  May Madham
1995  Kuruthipunal
1995  Subha Sankalpam
1999  Kadhalar Dhinam
1999  Mugam
2000  Alaipayuthey
2000  Dil Hi Dil Mein
2000  Mugavari
2001  Khushi
2004  Vaanam Vasappadum
2005  Kanda Naal Mudhal
2006  Varalaru
2007  Cheeni Kum
2008  Dhaam Dhoom
2009  Paa
2009  Yavarum Nalam
2012  Ishq
2015  I
2015  O Kadhal Kanmani
2015  Shamitabh
2016  Ki & Ka
2016  Remo
2018  Naa Nuvve
2018  Pad Man
2019  Praana
2020  Putham Pudhu Kaalai
2021  Rang De
2022  Thank You
2023  Lust Stories 2

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.