A work in constant progress (and occasional regress).
Alias:
Goskino Barsky
Vladimir Barskiy
Vladimir Gregoryevich "Goskino" Barsky
Vladimir Grigorievich Barsky
Владимир Барский
Владимир Григорьевич Барский
Birthplace:
Moscow, Russian Empire
Born:
March 15, 1866
Died:
January 24, 1936
Vladimir Grigorievich Barsky (1866 - January 24, 1936) - Russian Soviet director, screenwriter and actor; author of articles on theater issues. He took part in the development of Turkmen and Uzbek cinematography. He graduated from the Moscow Real School (1885) and the Imperial Moscow Technical School. From 1892 - director and actor of a number of theaters, in 1899–1917 he worked as a director and actor of the drama theater in Ivanovo-Voznesensk, in 1917–1921 - at the National House in Tiflis. In 1921-1928, he was the director of the Goskinprom of Georgia, since 1928 - film studios: Sovkino, Mezhrabpomfilm, Uzbekkino, Turkmenfilm. Together with the screenwriter G. Arunstanov worked on a series of films under the general title “Iron penal servitude”, which were supposed to show the revolutionary past of Georgia. Only two films were created: “Nightmares of the Past” (1925), describing the events of 1905, and “At the cost of thousands” (1925), about the events of 1916-17. He died on January 24, 1936. He was buried in the Don Cemetery in Moscow. From Wikipedia (ru), the free encyclopedia
Director:
1923 Arsena, the Brigand
1925 Tsarsulis sashinelebani
1926 Duchess Mary
1926 The Ninth Wave
1927 Bela
1927 Maksim Maksimich
1928 Kazakebi
Screenplay:
1923 Arsena, the Brigand
1925 Tsarsulis sashinelebani
1926 Duchess Mary
1926 The Ninth Wave
1927 Bela
1927 Maksim Maksimich
1928 Kazakebi
Writer:
1923 Arsena, the Brigand
1925 Tsarsulis sashinelebani
1926 Duchess Mary
1926 The Ninth Wave
1927 Bela
1927 Maksim Maksimich
1928 Kazakebi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.