A work in constant progress (and occasional regress).
Birthplace:
São Bernardo do Campo
At age 7 Renato started playing piano inspired by pianist and arranger Cesar Camargo Mariano. At 15 Renato was further skilled by Walter "Eski" Roberto, playing night clubs in Sao Bernardo do Campo was where he started to put that work into action. When Renato was 17 his family relocated to Rio de Janeiro. Renato started working with artists like Biafra, Sandra de Sa, Amelinha, Roberto Carlos, Kid Abelha, Claudio Zoli, Barao Vermelho, Tim Maia, Margareth Menezes, Marina Lima, Renato E Seus Blue Caps, Prentice Gilson, Carmen Silva, Gil Gilberto, Artur Maia, Leo Gandelman, Victor Biglione, Raul Mascarenhas, Nico Assuncao, Marcio Montarroyos, Ricardo Silveira and others. In 1991 Renato relocated to California, USA. In 1992 he met musicians Marco Mendoza (bass) and Joey Heridia (drums) and formed a trio called Straight Jacket with which they toured through Europe and South America. They also recorded a live CD at the La Ve Lee jazz club in Studio City, California. Renato has played and recorded with Dianne Reeves, Michael Ruff, Ronnie Foster, Marilyn Scott, Frank Gambale, Scott Henderson, Sandro Albert. In 2000 Renato and his friend, drummer Tal Bergman put together a recording studio. Where they produced Rod Stewart, Marilyn Scott and Flavio Bala amongst others. He also scored some films including; Dancing At The Blue Iguana and Kill Me Later. In 2000 he joined Sheila E.'s E-Train band and recorded and toured with her. In the Fall of 2001 onwards Renato joned The NPG, brought to the attention of Prince by Sheila E., like most of Prince's band members since the late 90's.
Additional Music:
2005 Her Name Is Carla
Original Music Composer:
2001 Dancing at the Blue Iguana
2005 Her Name Is Carla
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.