David Blass

Alias:
Dave Blass

David Blass is an American production designer and art director.  For his work on the Justified television series, Blass was nominated for the 2012 Primetime Emmy Award for Outstanding Art Direction for a Single-Camera Series for the Justified television series, and also received nominations for the Primetime Emmy Award for Outstanding Production Design for a Narrative Contemporary Program (One Hour or More) for Justified in 2014 and again in 2015 for the Constantine television series. In 2015, he was nominated for the Art Directors Guild Award for Excellence in Production Design for an Hour Contemporary Television Series for Justified. He has twice been published with cover stories in Perspective Magazine, with an Oct/Nov 2009 article on his pre-visualization of the final shot for the ER television series, and February/March 2012 featuring an article on his production design of the Justified series. For his work accurately portraying the State of Kentucky on the Television program Justified, he was awarded the honour of "Kentucky Colonel in 2011 by Governor Steven Beshear.  He is a member of the Art Directors Guild and the Academy of Television Arts & Sciences.  Blass grew up in Ashland, Massachusetts and graduated from  Ashland High School, where he wrote and directed his first film, A SADD Story, for "Students Against Drunk Driving" – which won a Reader's Digest contest. He also played soccer and baseball while at Ashland High. His film achievement in high school led to him receiving a scholarship to attend Emerson College in Boston, where he majored in film production. He then moved to California and began working in the film and television industry – initially working under Roger Corman.  Description above from the Wikipedia article David Blass, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Art Direction:
1993  Indecent Behavior
1993  Psycho Cop Returns
1994  A Brilliant Disguise
1994  The Hard Truth
2002  Crazy As Hell
2010  How Do You Know

Production Design:
1993  Indecent Behavior
1993  Psycho Cop Returns
1994  A Brilliant Disguise
1994  Bikini Med School
1994  Taxi Dancers
1994  The Hard Truth
1995  Body Chemistry 4: Full Exposure
1995  Hard Bounty
1996  Friend of the Family II
1996  Star Hunter
1997  Asylum
1997  Don't Sleep Alone
1997  Overdrive
1997  Under Oath
1998  Illicit Dreams 2
1998  Running Woman
1999  Stray Bullet
2000  White Wolves III - Cry of the White Wolf
2001  Black Scorpion Returns
2001  Devil's Prey
2001  Tomorrow by Midnight
2002  Crazy As Hell
2010  How Do You Know
2023  Star Trek: Picard - The IMAX Live Series Finale Event
2024  765874: Unification

Production Designer:
1993  Indecent Behavior
1993  Psycho Cop Returns
1994  A Brilliant Disguise
1994  Bikini Med School
1994  Taxi Dancers
1994  The Hard Truth
1995  Body Chemistry 4: Full Exposure
1995  Hard Bounty
1996  Bikini House Calls
1996  Friend of the Family II
1996  Star Hunter
1997  Asylum
1997  Don't Sleep Alone
1997  Overdrive
1997  Under Oath
1998  Illicit Dreams 2
1998  Running Woman
1999  Stray Bullet
2000  White Wolves III - Cry of the White Wolf
2001  Black Scorpion Returns
2001  Devil's Prey
2001  Tomorrow by Midnight
2002  Crazy As Hell
2010  How Do You Know
2023  Star Trek: Picard - The IMAX Live Series Finale Event
2024  765874: Unification

Production Design:
2013  Rectify
2015  Quantico
2019  The Boys
2020  Star Trek: Picard

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.