A work in constant progress (and occasional regress).
Alias:
Edna Mae Durbin
Birthplace:
Winnipeg, Manitoba, Canada
Born:
December 4, 1921
Died:
April 20, 2013
Edna Mae Durbin (December 4, 1921 – April 17, 2013), known professionally as Deanna Durbin, was a Canadian-born actress and singer, who moved to the USA with her family in infancy. She appeared in musical films in the 1930s and 1940s. With the technical skill and vocal range of a legitimate lyric soprano, she performed many styles from popular standards to operatic arias. In 1946, Durbin was the second-highest-paid woman in the United States, just behind Bette Davis; her fan club ranked as the world's largest during her active years. Durbin was a child actress who made her first film appearance with Judy Garland in Every Sunday (1936), and subsequently signed a contract with Universal Studios. She achieved success as the ideal teenaged daughter in films such as Three Smart Girls (1936), One Hundred Men and a Girl (1937), and It Started with Eve (1941). Her work was credited with saving the studio from bankruptcy, and led to Durbin being awarded the Academy Juvenile Award in 1938. As she matured, Durbin grew dissatisfied with the girl-next-door roles assigned to her and attempted to move into sophisticated non-musical roles with film noir Christmas Holiday (1944) and the whodunit Lady on a Train (1945). These films, produced by frequent collaborator and second husband Felix Jackson, were not as successful; she continued in musical roles until her retirement. Upon her retirement and divorce from Jackson in 1949, Durbin married producer-director Charles Henri David and moved to a farmhouse near Paris. She withdrew from public life, granting only one interview on her career in 1983.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.