A work in constant progress (and occasional regress).
Alias:
'Snowflake'
'Snowflake' Toones
Fred S. Toones
Fred Toones
Snow Flake
Snowflake
Snowflake Toones
Birthplace:
North Carolina, USA
Born:
January 5, 1906
Died:
February 13, 1962
Fred "Snowflake" Toones was a character actor who appeared in over 200 films between 1928 and 1951. He often worked under contract for Republic Pictures, appearing in about 40 of its films. He played a bootblack or shoeshine man in at least six of his movies, and Toones actually ran the shoeshine stand at Republic Studios. He first appeared as a porter in 1932 in The Hurricane Express and was usually typecast as a porter - appearing in over 50 films in such a role. He also played a variety of other service-oriented or domestic worker roles such as stable grooms, janitors, elevator operators, valets, cooks, bellhops, doormen, butlers, and bartenders. Like other actors of the time, i.e. Anna May Wong and Franklin Pangborn, Toones is a prime example of racial and social stereotyping in the Hollywood film industry. His standard characterization was that of a middle-aged "colored" man with a high-pitched voice and childlike mannerisms. "Snowflake" was the stage name Toones was best known by, and he used this name as his credit as early as his third film, 1931's Shanghaied Love. Likewise, in Shanghaied Love and over 35 other films, "Snowflake" was also Toones' character name. He acted in films such as Mississippi (1935), Hawk of the Wilderness (1938), and Daredevils of the Red Circle (1939) with Bruce Bennett and in many "B" westerns such as The Lawless Nineties (1936) with John Wayne. He also appeared in dozens of two-reelers such as Columbia's Woman Haters (1934) with the Three Stooges, and had a bit role in Laurel and Hardy's classic feature Way Out West (1937). Toones is also a familiar face in four Preston Sturges comedies: Twentieth Century (1934), Remember the Night (1940), Christmas in July (1940), and The Palm Beach Story (1942). He died on 13 February 1962 in Los Angeles, California, USA.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.