A work in constant progress (and occasional regress).
Birthplace:
Mexico City, Distrito Federal, Mexico
Born:
November 30, 1977
(b. 1977, Mexico City), actor and musician. He began his musical career at the age of 14 focused on percussions and shortly after had his first progressive rock band, Asallam, with Fausto Palma. As an actor he had his debut in 1997 with a mini role in Jaime Humberto Hermosillo's De noche vienes, Esmeralda, and later in Y tu mamá también, Déficit, El lenguaje de los machetes, Paraíso, Los Héroes del norte (as "el botarga") and a long etcetera, until today he stars in Manolo Caro's La vida inmoral de la pareja ideal, in El Diablo Guardian and won an Ariel in the category of Best Actor in a Supporting Role for the film Tiempo compartido. He has had incidental roles in practically all the popular series and films of the last decade in Mexico. Andrés has a long trajectory of collaborations with musicians, such as the electro-pop band Songs for Eleonor, which shared the stage with beautiful bands like Mercury Rev, Ulrich Snauss, Circlesquare, Tujiko Noriko, Beach House or Architecture in Helsinki. Or as a soloist in his Almeyda roof project. The techno paid off and in 2006 led him to participate in MUTEK with Richie Hawtin and Troy Pierce. On the other hand, Almeida has created original music for television in Amor Chilango, Soy tu fan and Los Heroes Del Norte, and in the films Deficit, La Otra Familia, No Eres Tú soy Yo, Sin Ella and Luto. As a producer he collaborated with the group Haciendo el Mal, with Paulina Lasa and Karen Ruiz in the creation of their two LPs. The first one was nominated for Best Pop Album at the IMAS 2013 awards. He also developed original music for several projects such as Abierto de Diseño, FICCO, Distrital, Cineteca Nacional and TAG.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.