Geoffrey Cantor

Alias:
Geof Cantor
Geoff Cantor
Geoffrey P. Cantor
Geoffrey Paul Cantor

Geoffrey graduated magna cum laude from Amherst College with a degree in theater. During his junior year, he attended the National Theater Institute (Eugene O'Neill Theater Center in Conn), and continued his training at what is now the Royal Central School of Speech and Drama, in London, England.  As an actor, he has been seen on Screens large and small. Film credits include the Coen Brothers' Hail, Ceasar!, MIB3, Bird People, Beach Pillows, Syrup, Bart and Arnie's Guide to Friendship, Thanks for Sharing, The Longest Week, SAVVA, Man on a Ledge, Fair Game, Michael Mann's Public Enemies, When in Rome, The Notorious Betty Page, One Last Thing, Suburban Girl, and Heavy Petting. On TV he has been seen on Blacklist, Believe, The Americans, The Following, House of Cards, Deception, Zero Hour, Person of Interest, Pan Am, Damages, Smash, The Big C, Sopranos, Bored to Death, all of the Law & Order's, Mercy, Brotherhood, Life on Mars, Ed, Third Watch, The Bedford Diaries, The $treet, Queens' Supreme, All My Children, Guiding Light, and Spike TV's The Kill Point. He has also been involved with a number of Web-series, including The ONION, Candice Bushnell's The Broadroom, Karl Manhair-Postal Inspector, Good Medicine, and The Stay-at-Home Dad.  His Stage work Includes Side Man (Broadway), Warren Leight's Sec 310, Row D, Seats 5&6, Dinner With Friends, Julie Taymor's Titus Andronicus, Saturday Sunday Monday, Denial (Long Wharf), Talley's Folly, Romeo and Juliet (Acting Company), and Lone Star (London and Edinburgh). Geoffrey has been featured in over 200 television and radio commercials, including two award-winning campaigns: Let It Out (Kleenex--the Good Listener), and Fair Enough (part of the Truth campaign).  Geoffrey began directing in college, and in London, he developed the play-reading series Readings at One at the Duke of York's Theater in the West End. There he directed the London premier reading of Allan Knee's The Man Who was Peter Pan, upon which the film Finding Neverland was based. Other directing credits include Stripped (an original piece) in New York, For Our Daughters (Illuminart) in Staten Island, James Mclure's 1959 Pink Thunderbird (Lone Star and Laundry and Bourbon) in Brooklyn, Prey (NYfringe 2010), My Secret Public Seder (an Original Piece, written for and with members of the Bergen County JCCY), Winterglass (an original piece), and Cowboys II, by Sam Shepard.  As a coach and teacher, he has worked all over the country with actors whose credits include all the major TV shows in New York, as well as film and theater. His students have also been accepted to some of the best theater programs in the country, including Ithaca, Fordham, Emerson, Michigan, Mason Gross, and UCSD. He has also developed flexible acting curriculum and programs for actors of all ages, skill levels, and experience.  In his spare time, Geoffrey founded the The Chaucerbury Group, a Media company in New York whose clients include The American Foundation for Suicide Prevention, The Children Heritage Foundation, and Columbia University.  - IMDb Mini Biography By: Geoffrey Cantor

Additional information:

The Search Form


Director:
2021  En Suite

Producer:
2021  En Suite

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.