A work in constant progress (and occasional regress).
Alias:
Gordon Warren Wiles
Birthplace:
St. Louis, Missouri, USA
Born:
October 10, 1904
Died:
October 17, 1950
From Wikipedia, the free encyclopedia Gordon Wiles (October 10, 1904 – October 17, 1950) was an American art director and film director. He won an Oscar for Best Art Direction for the film Transatlantic. He was born in St. Louis, Missouri. His father, Albert Wiles, was a doctor in Jerseyville, Illinois.
Art Department Manager:
1927 Sunrise: A Song of Two Humans
Art Direction:
1927 Sunrise: A Song of Two Humans
1931 Transatlantic
1932 Me and My Gal
1932 Society Girl
1932 The Trial of Vivienne Ware
1932 Week Ends Only
1933 Broadway Bad
1933 Infernal Machine
1933 My Weakness
1933 Pleasure Cruise
1934 Bottoms Up
1934 Stand Up and Cheer!
1948 The Dude Goes West
1950 The Underworld Story
Director:
1927 Sunrise: A Song of Two Humans
1931 Transatlantic
1932 Me and My Gal
1932 Society Girl
1932 The Trial of Vivienne Ware
1932 Week Ends Only
1933 Broadway Bad
1933 Infernal Machine
1933 My Weakness
1933 Pleasure Cruise
1934 Bottoms Up
1934 Stand Up and Cheer!
1936 Blackmailer
1936 Charlie Chan's Secret
1936 Lady from Nowhere
1936 Two-Fisted Gentleman
1937 Venus Makes Trouble
1937 Women of Glamour
1938 Mr. Boggs Steps Out
1938 Prison Train
1941 Forced Landing
1947 The Gangster
1948 The Dude Goes West
1950 The Underworld Story
Production Design:
1927 Sunrise: A Song of Two Humans
1931 Transatlantic
1932 Me and My Gal
1932 Society Girl
1932 The Trial of Vivienne Ware
1932 Week Ends Only
1933 Broadway Bad
1933 Infernal Machine
1933 My Weakness
1933 Pleasure Cruise
1934 Bottoms Up
1934 Stand Up and Cheer!
1936 Blackmailer
1936 Charlie Chan's Secret
1936 Lady from Nowhere
1936 Two-Fisted Gentleman
1937 Venus Makes Trouble
1937 Women of Glamour
1938 Mr. Boggs Steps Out
1938 Prison Train
1941 Forced Landing
1942 The Moon and Sixpence
1946 A Scandal in Paris
1947 The Gangster
1947 The Private Affairs of Bel Ami
1948 The Dude Goes West
1949 Bomba on Panther Island
1950 Dakota Lil
1950 Gun Crazy
1950 It's a Small World
1950 The Underworld Story
Set Decoration:
1927 Sunrise: A Song of Two Humans
1931 Transatlantic
1932 Me and My Gal
1932 Society Girl
1932 The Trial of Vivienne Ware
1932 Week Ends Only
1933 Broadway Bad
1933 Infernal Machine
1933 My Weakness
1933 Pleasure Cruise
1934 Bottoms Up
1934 Stand Up and Cheer!
1936 Blackmailer
1936 Charlie Chan's Secret
1936 Lady from Nowhere
1936 Two-Fisted Gentleman
1937 Venus Makes Trouble
1937 Women of Glamour
1938 Mr. Boggs Steps Out
1938 Prison Train
1939 Back Door to Heaven
1941 Forced Landing
1942 The Moon and Sixpence
1946 A Scandal in Paris
1947 The Gangster
1947 The Private Affairs of Bel Ami
1948 The Dude Goes West
1949 Bomba on Panther Island
1950 Dakota Lil
1950 Gun Crazy
1950 It's a Small World
1950 The Underworld Story
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.