Susan Priver

Susan began her career as a ballet dancer and trained under George Balanchine at School of American Ballet in NewYork City. Her professional career in dance included Eglevsky Ballet in New York City, The Hannover Ballet in Germany and finally the Cleveland Ballet, all of she toured with extensively She settled back in her hometown of Los Angeles and began her acting training with Susan Peretz and Charlie Laughton of the Actors Studio and with Bill Traylor of "The Loft", now known as "The Lost "Studio". After working with members of the Actors Conservatory Ensemble in a well received but small production of John Patrick Shanley's "Savage in Limbo", Susan began supporting herself with odd jobs; namely art modeling and waitressing so she could continue her passion. Since then, Susan has built an extensive resume of dramatic and comedic roles in a variety of contemporary and classic plays on a number of LA stages including The Marylin Monroe theater, The Hudson Backstage, Theater West, The Tiffany, ACT at the Lex, The Gene Dynarski Theater and The Rose, The list includes:the award winning production of "Detective Story" (Best Ensemble), the two character David Mamet play "Reunion" which she won a Drama Logue Award for best performance, Harold Pinter's two character "The Lover", which received a 2003 LA Weekly Best One Act.  Other roles include Lilly Garland in "Twentieth Century" recently performed at the Lillian, Irina in "Idiot's Delight" at the Lillian and Essie in "The Great Sebastions" also at the Lillian. She's also recently appeared in Ceasar and Cleopatra, God of Vengence, Tennesee Williams' "Talk to Me Like the Rain and Let me Listen", Sam Shepard's "Fool for Love", Sherwood Schartz' The Trial Of Othello, and Shanley's "Four Dogs and Bone".....to name a few. Susan has appeared in Lucky Louie and has a lead in Mafioso with Leo Rossi and Bobby Costanza, and has worked with Freddy Rodriguez and Marco Leonardi in "My Brother Jack". "What's up, Scarlet?", Susan's first feature that she produced, co-wrote and starred in has been seen all over the festival circuit including the OutFest in LA, Frameline in San Francisco, Austin Gay and Lesbian Film Festival, and a host of others in Europe, Canada and Australia. The film also stars Sally Kirkland, Jere Burns and Musetta Vander, and was shown theatrically at Laemmle's Sunset 5.

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Executive Producer:
2023  Scalper
2024  Dead Mail

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.