A work in constant progress (and occasional regress).
Birthplace:
Køge, Denmark
Born:
May 14, 1923
Died:
March 10, 2001
John Hilbard was born on May 14, 1923 in Køge, Denmark as John Hilbert Larsen. He was a writer and director, known for Walter og Carlo - yes, det er far (1986), The Factory Outing (1978) and Hopla på sengekanten (1976). He died on March 10, 2001 in Denmark.
Director:
1954 Jan går til filmen
1967 Wife on vacation
1970 Bedroom Mazurka
1971 Bedside Dentist
1972 Bedside Head
1972 Bedside Highway
1973 Bedside Romance
1976 Jumpin' at the Bedside
1978 Firmaskovturen
1984 Suzanne og Leonard
1986 Walter and Carlo, Part II, Yes, It's Daddy
Producer:
1954 Jan går til filmen
1960 The Poet and Lillemor and Lotte
1967 Wife on vacation
1970 Bedroom Mazurka
1971 Bedside Dentist
1971 Why Do They Do It?
1972 Bedside Head
1972 Bedside Highway
1973 Bedside Romance
1976 Jumpin' at the Bedside
1978 Firmaskovturen
1984 Suzanne og Leonard
1986 Walter and Carlo, Part II, Yes, It's Daddy
Screenplay:
1954 Jan går til filmen
1960 The Poet and Lillemor and Lotte
1966 Flagermusen
1967 Wife on vacation
1970 Bedroom Mazurka
1971 Bedside Dentist
1971 Why Do They Do It?
1972 Bedside Head
1972 Bedside Highway
1973 Bedside Romance
1976 Jumpin' at the Bedside
1978 Firmaskovturen
1984 Suzanne og Leonard
1986 Walter and Carlo, Part II, Yes, It's Daddy
Writer:
1954 Jan går til filmen
1960 The Poet and Lillemor and Lotte
1962 Den kære familie
1966 Flagermusen
1967 Wife on vacation
1968 Without a Stitch
1970 Bedroom Mazurka
1970 The Song of the Red Ruby
1971 Bedside Dentist
1971 Why Do They Do It?
1972 Bedside Head
1972 Bedside Highway
1973 Bedside Romance
1976 Jumpin' at the Bedside
1978 Firmaskovturen
1984 Suzanne og Leonard
1986 Walter and Carlo, Part II, Yes, It's Daddy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.