A work in constant progress (and occasional regress).
Birthplace:
Paris, Ile-de-France, France
Born:
January 1, 1937
Died:
August 20, 2008
Pierre-André Boutang, born March 25, 1937, in Paris and died August 20, 2008, in Grosseto-Prugna, Corsica, was a French documentary filmmaker, producer, and director. He was one of the directors of the Franco-German channel Arte, after previously being one of the directors of La Sept. A major figure in French television, Pierre-André Boutang, producer, director, programmer, and interviewer, knew how to combine intelligence and a broad audience through films and documentary series for ORTF since the 1960s. Throughout his long career, Pierre-André Boutang explored the worlds of literature, film, and television while fostering intellectual debate. The son of philosopher Pierre Boutang, he was first a student at the Institute of Political Studies before becoming an assistant director for film and television. From 1962 to 1967, Pierre-André Boutang was responsible for selecting films for television, and later became a producer and director of numerous films and television series ("Les Écrans de la Ville," "Le Journal du Cinéma," "Cinéregards," "Champ Contre Champ"). He also wrote numerous articles for "Dim Dam Dom," a scathing program from the days of ORTF. From 1967 to 1986, he produced several programs such as "Le Nouveau dimanche," "L'invité du dimanche," "L'homme en question," "Désir des arts," "Projection privée," "Bibliothèque de poche," "Archives du XXe siècle," and then "Océaniques" for FR3, where he produced profiles of Fidel Castro, Martin Heidegger, and Louis Althusser. The magazine was awarded a 7 d'Or in 1987 and 1988. Television also owes him major series of interviews co-produced with Jean Rouch, including "Mémoires du XXe siècle," featuring portraits of Gilles Deleuze (3 DVDs from Editions Montparnasse) and Pierre Vidal-Naquet, as well as "Sartre par lui-même," in which the philosopher spoke about his work for three hours. At the same time, he produced films for the cinema by Jean Yanne, Marco Ferreri, Robert Bresson, and Alexandre Astruc's Sartre par lui-même, as well as Otar Iosseliani's Les Favoris de la lune. He is the author of a biography of Roman Polanski. In 1990, invited by historian Georges Duby to work for Sept, the cultural television channel that later became Arte, he was appointed Deputy Director of Programming under Jérôme Clément and launched the cultural magazine "Océanopolis." Pierre-André Boutang, the initiator of numerous "Thema" programs that contributed to the channel's success, also created the channel's cultural magazine, "Metropolis," for which he was editor-in-chief for France from 1995 to 2006. For eighteen years, Pierre-André Boutang had become a pillar of Arte. The Franco-German channel broadcast his documentaries such as "The ABCs of Gilles Deleuze," "13 Days in the Life of Picasso," "Alexander Solzhenitsyn," "Depardieu, the View of Others," "Mao, a Chinese Story," and, most recently, "Jeanne M," a portrait of Jeanne Moreau, and "Claude Levi-Strauss by Himself."
Assistant Director:
1964 The Pit and the Pendulum
Director:
1964 The Pit and the Pendulum
1975 Conversation avec Henri Langlois
1975 De qui dépend que l’oppression demeure ?
1979 Ciné regards: Tess: Roman Polanski
1983 Orson Welles at the Cinémathèque Française
1987 Duras/Godard
1989 Gilles Deleuze from A to Z
1991 The Making of The Lover
1992 Journey of a “Cine-Son”
1999 13 Days in the Life of Pablo Picasso
2000 Picasso Days
2003 Louis Malle - Un cinéaste français
2005 Alexandre Soljenitsyne, le combat d'un homme
2006 Polanski par Polanski
2008 Claude Lévi-Strauss par lui-même
???? Satyajit ray, calcutta 89
Producer:
1964 The Pit and the Pendulum
1975 Conversation avec Henri Langlois
1975 De qui dépend que l’oppression demeure ?
1979 Ciné regards: Tess: Roman Polanski
1983 Orson Welles at the Cinémathèque Française
1987 Duras/Godard
1988 A Little Monastery in Tuscany
1989 Gilles Deleuze from A to Z
1991 The Making of The Lover
1992 Chasing Butterflies
1992 Journey of a “Cine-Son”
1999 13 Days in the Life of Pablo Picasso
2000 Picasso Days
2003 Louis Malle - Un cinéaste français
2005 Alexandre Soljenitsyne, le combat d'un homme
2006 Polanski par Polanski
2008 Claude Lévi-Strauss par lui-même
???? Satyajit ray, calcutta 89
Writer:
1964 The Pit and the Pendulum
1975 Conversation avec Henri Langlois
1975 De qui dépend que l’oppression demeure ?
1979 Ciné regards: Tess: Roman Polanski
1983 Orson Welles at the Cinémathèque Française
1987 Duras/Godard
1988 A Little Monastery in Tuscany
1989 Gilles Deleuze from A to Z
1991 The Making of The Lover
1992 Chasing Butterflies
1992 Journey of a “Cine-Son”
1999 13 Days in the Life of Pablo Picasso
2000 Picasso Days
2003 Louis Malle - Un cinéaste français
2005 Alexandre Soljenitsyne, le combat d'un homme
2006 Polanski par Polanski
2007 1917: La révolution russe
2008 Claude Lévi-Strauss par lui-même
???? Satyajit ray, calcutta 89
Director:
1996 Gilles Deleuze from A to Z
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.