A work in constant progress (and occasional regress).
Born:
October 27, 1889
Died:
March 31, 1981
From Wikipedia, the free encyclopedia Enid Algerine Bagnold, Lady Jones, CBE (27 October 1889 – 31 March 1981), known by her maiden name as Enid Bagnold, was a British author and playwright, best known for the 1935 story National Velvet which was filmed in 1944 with Elizabeth Taylor. She was born in Rochester, Kent, daughter of Colonel Arthur Henry Bagnold, and brought up mostly in Jamaica. She went to art school at the school of Walter Sickert in London, and then worked for Frank Harris, who was also her first lover. She was a nurse during World War I, writing critically of the hospital administration and being dismissed as a result. She was a driver in France for the remainder of the war years. She wrote of her hospital experiences in Diary Without Dates and her driving experiences in The Happy Foreigner. Her brother Ralph Bagnold founded the Long Range Desert Group (LRDG) during World War II,[1] a precursor of the SAS. In 1920, she married Sir Roderick Jones (Chairman of Reuters) but continued to use her maiden name for her writing. They lived at North End House in Rottingdean, near Brighton, Sussex, (previously the home of Sir Edward Burne-Jones), the garden of which inspired her play The Chalk Garden. They had four children. Their great-granddaughter is Samantha Cameron, wife of the United Kingdom's current Prime Minister and Conservative Party leader David Cameron. Lady Jones died at Rottingdean in 1981 and is buried at St Margaret's Church. Description above from the Wikipedia article Enid Bagnold, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Novel:
1945 National Velvet
1978 International Velvet
Writer:
1945 National Velvet
1964 The Chalk Garden
1978 International Velvet
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.